2 syllables: fight, ing. Stress on fight.
FEYE-ting
/ˈfaɪtɪŋ/
fighting is pronounced FEYE-ting (/ˈfaɪtɪŋ/). It has two syllables (fight-ing), with the stress on "fight". Fighting refers to the act of engaging in physical combat or a struggle, often between individuals or groups. It can also describe ongoing conflict or combativeness in behavior or stance. The term conveys action, resistance, and a contest of strength or will, typically marked by aggression, confrontation, and tactical maneuvers.
Fighting refers to the act of engaging in physical combat or a struggle, often between individuals or groups. It can also describe ongoing conflict or combativeness in behavior or stance. The term conveys action, resistance, and a contest of strength or will, typically marked by aggression, confrontation, and tactical maneuvers.
"The two boxers began fighting in the ring just after the bell rang."
"She felt the inner fighting spirit push her to finish the marathon."
"The town has been fighting a legal battle to preserve the historic district."
US/UK/AU IPA: /ˈfaɪtɪŋ/. Start with the FACE diphthong /aɪ/ as in 'fly', then /t/ with a crisp release, followed by a schwa-like reduction in the second syllable /ɪŋ/. Primary stress on the first syllable. In fast speech you may hear /ˈfaɪn/ + /ɪŋ/ compress, but the standard articulation is FIGH-ting with a clear /t/.
Common errors: 1) Dropping the /t/ or turning it into a flap in rapid speech, 2) Turning /aɪ/ into a shorter /ɪ/ or monophthong, 3) Final /ŋ/ being nasalized incorrectly or separated from /ɪ/. Correction: pronounce /t/ with a light aspirated release before the /b770/; keep the /aɪ/ as a tight diphthong; finish with a clean velar nasal /ŋ/, ensuring the tongue tip does not touch the alveolar ridge when finishing the syllable.
US: rhotic /ɹ/ is not relevant here; smooth /aɪ/ diphthong; UK: slight rounding of lips; faster transition between /aɪ/ and /t/ in some regional speech; AU: vowel quality toward centralized /aɪ/ and more relaxed /t/ release; in all, the core /ˈfaɪtɪŋ/ pattern remains, with minor vowel length and flapping variations in informal speech.
Key challenges: keeping the /aɪ/ as a precise diphthong without coalescing into /aɪ/ + /ɪ/; executing a crisp /t/ release between vowels in rapid speech; maintaining the final /ŋ/ without an audible stop; many speakers also devoice the final nasal slightly in casual speech, which can blur the ending if you’re not intentional about the /ŋ/.
A unique nuance is the potential for a glottal stop before the /t/ in very casual speech (US/UK/AU variations). In careful speech you’ll articulate a full /t/; in rapid informal speech you may hear a quick glottalization, effectively sounding like /ˈfaɪʔɪŋ/. Being aware of whether your context requires a full /t/ or a glottal stop will help you sound natural in that setting.
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US: Pronounce /ˈfaɪtɪŋ/ with a clear diphthong /aɪ/, lips slightly spread, tongue high-mid for /aɪ/; non-rhotic environments won’t affect /ɹ/ here, as /t/ is central. UK: slight shorter vowel before /t/, marginally tenser /aɪ/; AU: more centralized vowel quality, a bit more relaxed /t/ release in casual speech; watch for glottalization in both US and AU informal registers.
Fighting comes from Middle English fichten, variant of fichtijan, from Old English feohting (related to vanc), ultimately from Proto-Germanic *fichtijan, itself from Proto-Indo-European *peh- meaning to strike or fight. The modern -ing form developed in the Middle English period to denote the ongoing action or result of the verb fichten/fichtian. The semantic core has long denoted physical combat, but over time extended to non-physical struggles (arguments, battles, “fighting the system”). First attestations appear in late Old English and early Middle English writings, with the sense of “to contend or strenuously oppose” solidifying in the 14th–15th centuries. The word’s root is tied to force and contact, and its evolution tracks the culture’s preoccupation with conflict, resistance, and martial activity, while retaining a general sense of struggle across contexts—from literal fistfights to metaphorical battles. Modern usage covers sports, politics, social issues, and personal resolve, maintaining its core implication of active contest or combativeness.
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Words that rhyme with "fighting"
-ing sounds
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