3 syllables: fan, ta, sy. Stress on fan.
FAN-tuh-see
/ˈfæntəsi/
fantasy is pronounced FAN-tuh-see (/ˈfæntəsi/). It has three syllables (fan-ta-sy), with the stress on "fan". Fantasy refers to a genre of imaginative, often fantastical, storytelling or art, typically featuring magical elements, mythical creatures, or surreal settings. It can also denote a person's idealized, often unattainable, hopes or dreams. In everyday use, it describes an imaginative notion or daydream that may be impractical or escapist. The term spans literature, film, and personal imagination.
Fantasy refers to a genre of imaginative, often fantastical, storytelling or art, typically featuring magical elements, mythical creatures, or surreal settings. It can also denote a person's idealized, often unattainable, hopes or dreams. In everyday use, it describes an imaginative notion or daydream that may be impractical or escapist. The term spans literature, film, and personal imagination.
"I love reading fantasy novels with dragons and wizards."
"Her daydream about moving to a distant galaxy was pure fantasy."
"The conference was filled with discussions about fantasy worlds and their lore."
Pronounce as /ˈfæn.tə.si/. Start with a stressed first syllable /ˈfæn/ with an open front vowel like ‘cat’, then a schwa /ə/ in the second syllable, and end with /si/ as in ‘see’. The pitch tends to rise slightly after the first syllable in natural speech. Make sure the t is a light, quickly released sound, not a strong stop. Audio reference: a standard pronunciation audio can be found in Cambridge or Oxford dictionaries.
Common mistakes include reducing the second syllable to /ti/ as in ‘fantitious’ and rushing the second syllable so it sounds like /ˈfænsæ/; another error is pronouncing the middle vowel as a full /ɪ/ or /eɪ/ instead of a weak /ə/. Correct by sticking to /ˈfæn.tə.si/ with a clear schwa in the middle and a crisp final /si/. Practice slow, then link through the phrase to maintain natural rhythm.
In US, UK, and AU, the initial /fæn/ and final /si/ are consistent. The primary variation is the rhoticity and vowel quality in continuous speech; UK and AU often have a softer /ə/ and less diploma-like vowel length, while US may produce a slightly tenser /æ/ in some dialects. All share the final /si/; the key is keeping the middle /ə/ as a reduced vowel and not overemphasizing the second syllable.
The difficulty lies in maintaining a clean two-consonant cluster around the middle—keeping /n/ and /t/ clear while producing a light mid-syllable /tə/ and avoiding over-articulation of /t/ that can blur into /d/. The contrast between /æ/ and /eɪ/ in rapid speech can tempt listeners to misrender as /fænsæsi/ or /fæntəsi/. Focus on a crisp /t/ followed by the soft /ə/ and a clear final /si/.
In connected speech, you may hear /ˈfæn.tə.si/ with a quick, almost inaudible second syllable, especially in rapid dialogue. Some speakers reduce to /ˈfæn.tə.si/ with a light touch on the /t/ and a slightly reduced /ə/. The most distinct feature is the final /si/ which remains strong enough to signal the word’s end; practicing with phrase-level context helps fix this pattern.
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Fantasy originates from the Middle English word fantasie, borrowed from Old French fantasie, which itself descended from Late Latin phantasia, from Greek phantasia meaning mind’s impression or appearance, derived from phantazein meaning to make visible, to show. The Greek root phant- relates to phantasma or phasma, a visible image or illusion. In classical usage, phantasia referred to a mental image or appearance, especially produced by the imagination. By the 16th century, English adopted fantasie to describe imaginative thinking and daydreaming. In the Romantic era, fantasy as a literary genre consolidated, distinguishing imaginative, magical or otherworldly content from realism. The modern sense expanded to include high fantasy, fantasy fiction, and media like films and games, where invented worlds, magical systems, and mythical beings are central. The word has maintained its core sense of imaginative, non-real phenomena while broadening to cover both escapist daydreams and structured, narrative universes in entertainment. The term often conveys a contrast to mundane reality, emphasizing creativity, wonder, and possibility rather than practicality.
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Words that rhyme with "fantasy"
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