4 syllables: fab, ri, ca, tion. Stress on ca.
fab-rik-AY-shuhn
/ˌfæbɹɪˈkeɪʃən/
fabrication is pronounced fab-rik-AY-shuhn (/ˌfæbɹɪˈkeɪʃən/). It has four syllables (fab-ri-ca-tion), with the stress on "ca". Fabrication refers to the act of making something up or constructing something that may be false or deceptive. It can also mean the process of manufacturing something. The term often carries a sense of creativity or deceit, depending on context. It is a three-syllable word with stress on the third syllable: fab-ri-ca-tion.
Fabrication refers to the act of making something up or constructing something that may be false or deceptive. It can also mean the process of manufacturing something. The term often carries a sense of creativity or deceit, depending on context. It is a three-syllable word with stress on the third syllable: fab-ri-ca-tion.
"The newspaper accused the politician of fabrication after an investigation revealed inconsistencies in the testimony."
"The factory was responsible for the fabrication of computer components used in consumer electronics."
"Her claim about winning the scholarship turned out to be a fabrication when the records were checked."
Pronounce as /ˌfæbrɪˈkeɪʃən/. The syllable stress pattern places primary stress on the penultimate syllable: fa-BI-ca-tion. Start with /ˌfæ/ (like 'fab' with a short a as in 'cat'), then /brɪ/ with a quick, light schwa-like 'i' before the /ˈkeɪ/ (the 'ca' sounds like 'kay'), and end with /ʃən/. Tip: break into four syllables: fab-ri-ca-tion, saying fa-bri-KAY-shən.
Two common pitfalls: misplacing stress (saying FAB-ri-ca-tion) and mispronouncing the 'ca' as /kə/ or 'shay' instead of /keɪ/. Correct by stressing on the second-to-last syllable: fa-bri-CA-tion with clear /keɪ/. Another error is reducing the ending to /ən/ or /n/ only; you want /ʃən/ at the end. Practice with the full sequence: /ˌfæbrɪˈkeɪʃən/ and maintain the 'ʃən' ending.
In US and UK, the primary stress remains on the second-to-last syllable; both typically render as /ˌfæbrɪˈkeɪʃən/. Differences are subtle: US tends to be rhotic and may slightly reduce the /ˈkeɪ/ to a quicker /keɪ/ with a tighter vowel, while UK often maintains crisper enunciation of the /keɪ/ and the /ʃən/ ending. Australian English aligns closely with UK patterns, but can display a slightly broader vowel quality in the /æ/ and a more lenient final schwa. Overall, the rhythm is similar; focus on the /ˈkeɪ/ nucleus.
The difficulty lies in the consonant cluster /br/ followed by the stressed /keɪ/ and then the /ʃən/ ending. The sequence demands precise tongue timing: /f/ + /æ/ while transitioning to /br/; then a rapid /ɪ/ before /ˈkeɪ/. The /ʃən/ ending is softer and can blur if you don’t release the /ʃ/ clearly. Practice by isolating /br/ and /ʃən/ blends and linking them smoothly with the preceding schwa-like /ɪ/.
A distinctive challenge is the /ˌfæbrɪˈkeɪʃən/ pattern where the /keɪ/ is a strong, high-front diphthong after a light /ɪ/. Maintaining a clear /eɪ/ vowel while not letting the /t/ bleed into it is crucial, and ensuring the /ʃən/ lands as a soft, clipped ending requires careful alveolar contact without trailing alveolar air. Focus on starting the /keɪ/ with a clean, mid-to-high tongue position and finishing with a crisp /ʃən/.
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US: rhotic, longer /æ/ in fab and quicker /ɪ/ before /ˈkeɪ/. UK: crisper /ˈkeɪ/ and clearer /ʃən/; AU: similar to UK but with slightly broader vowels in /æ/ and /eɪ/. IPA references: US /ˌfæbrɪˈkeɪʃən/, UK /ˌfæbrɪˈkeɪʃn/; AU /ˌfæbrɪˈkeɪʃən/. Focus on rhotic vs non-rhotic tendencies; maintain the diphthong in /keɪ/ across accents.
The word fabrication comes from the Latin fabricatio, from fabri- ‘a making, structure’ and -atio, a suffix forming nouns of action. The root fabri- derives from Latin fabrum, meaning ‘a workshop or craftsman,’ cognate with English fabric and fabricator. In English, fabrication originally emphasized the act of making or constructing something with skill. By the 17th century, the term broadened to include the creation of something artificial or false, especially in contexts of deception or misinformation. Over time, fabrication retained its dual sense: a legitimate process of manufacturing goods, and a disapproved act of inventing a story. First known use in English literature appears in early modern texts dealing with crafts and construction, with semantic drift intensifying through the 1800s as industrial manufacturing (fabrication of goods) and metaphorical fabrication (fictions) co-evolved. The word’s phonetic structure - /ˌfæbrɪˈkeɪʃən/ in US and /ˌfæbrɪˈkeɪʃn/ in some UK pronunciations - reflects the Latin roots while adapting to English stress and syllable patterns. Today, fabrication commonly appears in legal, journalistic, engineering, and literary contexts, spanning both the literal manufacturing sense and the figurative sense of invention or deceit.
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Words that rhyme with "fabrication"
-ion sounds
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