3 syllables: ex, po, sures. Stress on po.
ik-SPOH-zhurz
/ɪkˈspoʊʒɚz/
exposures is pronounced ik-SPOH-zhurz (/ɪkˈspoʊʒɚz/). It has three syllables (ex-po-sures), with the stress on "po". Exposures is the plural form of exposure, meaning instances of being subjected to something (such as light, heat, or an experience) or the degree to which something is exposed. It can refer to acts of revealing or making something visible, or to the extent something is uncovered or laid bare. In contexts like photography or finance, it denotes the amount of risk or the amount of time something is exposed.
Exposures is the plural form of exposure, meaning instances of being subjected to something (such as light, heat, or an experience) or the degree to which something is exposed. It can refer to acts of revealing or making something visible, or to the extent something is uncovered or laid bare. In contexts like photography or finance, it denotes the amount of risk or the amount of time something is exposed.
- You’ll often misplace the primary stress on the first or third syllable. Correct: ex-po-SURES, with the secondary pause between po and sures if spoken slowly. - The /ʒ/ in the third segment is easy to mispronounce as /ʃ/ or /z/; keep it as a voiced palato-alveolar fricative /ʒ/ before the /ɚ/ or /z/. - The second syllable can be pronounced with /oʊ/ in American and /əʊ/ in British; be consistent in your target accent. - Final /ɚz/ vs /əz/ - ensure you voice the z and avoid devoicing; the final /z/ should not disappear in normal speech.
"The study looked at ultraviolet exposures and their effects on skin."
"Photographers adjust the camera’s exposures to capture the right brightness."
"We discussed data exposures and the need for improved privacy controls."
Pronounce as /ɪkˈspoʊ.ʒɚz/ (US) or /ɪkˈspəʊ.ʒəz/ (UK). The word has three syllables: eX-po-sures, with primary stress on the second syllable. Start with a short i in the first syllable, then a strong, tense oʊ or oʊ in the second, followed by the schwa and z sound in the final syllable. Keep the final /ɚz/ or /əz/ crisp but relaxed. Practicing the vowel shift from /oʊ/ to a lighter /əʊ/ can help in rapid speech.
Common mistakes include misplacing stress (trying ex-POSE-ures instead of ex-po-SURES), pronouncing /ɪkˈspɒ-zəz/ with a British /ɒ/ where modern US uses /oʊ/ or conflating /ɪkˈspoʊ/ with /ɪkˈspəʊ/ in a way that makes the final /-zɚz/ unclear. Another frequent error is making the final /ɚ/ too strong or not voicing the /z/ at the end. Focus on keeping the second syllable as the nucleus, and ensure the final /z/ is not devoiced.
US: /ɪkˈspoʊˌʒɚz/ with rhotacized final -er and clear /oʊ/ diphthong in the second syllable. UK: /ɪkˈspəʊ.ʒəz/ or /ɪkˈspəː.ʃəz/ depending on region, often less rhoticity in some speakers and a slightly shorter second vowel. AU: typically /ˈɪk.spəˈzjuː.əz/ or /ˈɪkspəˈʒəːz/? Variation exists; many Australians maintain non-rhoticity for the final syllable but can merge /əʊ/ towards a nearer vowel. The key differences are the treatment of rhotics and the second-syllable vowel and the final schwa.” ,
Three main challenges: (1) The second-syllable vowel shifts between US /oʊ/ and UK /əʊ/ depending on locale; (2) The sequence /spəʊ/ or /spoʊ/ is tricky because the consonant cluster blends quickly before the /ʒ/ sound; (3) The final plural /-ɚz/ or /-əz/ can be devoiced or reduced in fast speech, which muddies the voicing of the final /z/. Focus on maintaining a clear /z/ and the /ʒ/ before it, with controlled jaw movement to avoid slurring.
No silent letters in exposures. Each syllable contains audible consonants and vowels: /ɪ/ in first, /k/ at onset of second, /ˈspoʊ/ or /ˈspəʊ/ in the nucleus, /ʒ/ before the final /ɚz/ or /əz/. The challenge is not silent letters but accurate articulation of the /ʒ/ sound and consistent voicing of the final /z/.
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US: emphasize /ɪkˈspoʊ.ɚz/ with a clear /ɪ/ in first, a tense /oʊ/ in second, and a voiced /ɚ/ followed by /z/.UK: lean toward /ɪkˈspəʊ.ɒz/ or /ɪkˈspəʊ.əz/ with less rhoticity; keep the final /z/ clear. AU: often maintain a neutral mid vowel in second syllable and a broader /ə/ reduction; ensure the /ʒ/ is voiced before the final /z/. - IPA references: US /ɪkˈspoʊ.ɚz/; UK /ɪkˈspəʊ.ʒəz/ (or /ɪkˈspəʊ.əz/); AU /ˈɪk.spəˈzəːz/ consistent with local shift. - Practice with slow to fast transitions, focusing on the second syllable stress and the palato-alveolar fricative.
Exposure originates from the late Middle English word exposen, from Old French exposer, from Latin exponere ‘to set forth, explain, expose’ (ex- ‘out’ + ponere ‘to place’). The noun sense of exposing something to air, light, or influence emerged in the 15th century. By the 17th–18th centuries, in photography the term exposure referred to the act of exposing light-sensitive material to light. In finance and risk contexts, exposure to risk or loss developed in the 20th century, adopting the metaphor of something being laid bare or laid open to external forces. The plural form exposures appears with the shift from singular exposure to the plural in modern English to indicate multiple instances or varieties of exposure. First known use as a plural noun is documented in technical and scientific texts from the 1800s onward, parallel to the expansion of photography, epidemiology, and risk assessment language.
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Words that rhyme with "exposures"
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