4 syllables: ex, cess, ive, ly. Stress on cess.
ik-SES-iv-lee
/ɪˈksɛsɪvli/
excessively is pronounced ik-SES-iv-lee (/ɪˈksɛsɪvli/). It has four syllables (ex-cess-ive-ly), with the stress on "cess". Excessively means to an extent greater than is reasonable or necessary. It describes actions or qualities that go beyond what is appropriate or moderate, often implying excess or extravagance. The term frequently appears in discussions of behavior, amounts, or emphasis that surpass a normative limit.
Excessively means to an extent greater than is reasonable or necessary. It describes actions or qualities that go beyond what is appropriate or moderate, often implying excess or extravagance. The term frequently appears in discussions of behavior, amounts, or emphasis that surpass a normative limit.
"Her dress was excessively ornate for a daytime event."
"He spoke excessively fast, making it hard to understand."
"The project was excessively costly and exceeded the budget."
Pronunciation: /ɪkˈsɛsɪvli/ (US/UK/AU). The primary stress is on the second syllable (CESS). Start with a short, clipped /ɪ/ in the first syllable, then /k/ followed by /ˈsɛ/ (accented), then /sɪ/ and end with /vli/. Keep the /v/ as a light, voiced fricative before the final /li/. Mouth positions: lips relaxed, teeth lightly touching for /t/ no; here is /k/ after /ɪ/. Tip: ensure the -s- in the middle is a crisp /s/ before /ɪ/. Audio reference: you can compare to heard on Pronounce or Forvo entries for “excessively.”
Common errors: 1) Misplacing stress, saying ex-CESS-ively with weak second syllable; fix by stressing CESS: /ɪkˈsɛsɪvli/. 2) Slurring the -sive- cluster into /zɪv/ or /sɪv/; keep /sɪv/ as a distinct sequence before the final -ly. 3) Vowel quality on the first syllable often becomes a lax /ɪ/ when spoken quickly; practice with a crisp /ɪ/ as in “kit.” 4) Dropping the final -ly or merging /li/ into a schwa; ensure a clear /li/ ending. Practice slower then speed up.
US vs UK vs AU: US typically /ɪkˈsɛsɪvli/ with rhotic? rhyme is non-rhotic-like /ɹ/ absent; UK /ɪkˈsesɪvli/ with shorter /ɜ/ in some syllables and more clipped /ˈses/. AU is similar to UK but with broader mouth opening on vowels and sometimes a slightly reduced /i/ in /iː/ portion; final /li/ tends to be softer in Australian. Overall, rhoticity isn’t the core in most: all three share the second-stressed /ˈsɛ/ and fast endings, though vowel lengths vary, as does the pre-stress duration and vowel quality.
Because it combines a tense syllable sequence: ex- /ɪk/ then -cess- /ˈsɛs/ with a consonant cluster -s s- before -ive- /ɪv/ and the final -ly /li/. The second syllable carries strong stress and short, crisp /e/ vowels in many speakers. The cluster /ss/ after a vowel can produce rushing air and subtle vowel reductions. Practicing with minimal pairs and slow-to-fast drills helps stabilize the exact sequence. The main challenge is keeping the /s/ and /v/ distinct while maintaining the stress on the -CESS- syllable.
No, excessively has all letters pronounced in standard English. Each syllable carries explicit sounds: ex- /ɪk/, cess- /ˈsɛs/, -ive- /ɪv/, -ly /li/. The letter combinations map to audible segments: ‘ex’ as /ɪk/, ‘cess’ as /sɛs/, ‘ive’ as /ɪv/, and ‘ly’ as /li/. There are no silent letters, but in rapid speech the vowels may be slightly weakened.
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Excessively derives from the adjective excessive, formed from Latin excedere “to go beyond, surpass,” from ex- “out, beyond” + census, related to accrescere “to grow abundantly” (from cresc- “grow”). The suffix -ly converts the adjective excessive into an adverb form meaning “to an excessive degree.” The noun excess shares the same root and originally referred to what remains beyond a bound or limit. In English, excessive appeared in the late 15th century, with -ly adverbial formation becoming standard in early modern English, producing excessively to describe actions or qualities that surpass what is normal or required. Over time, excessively has retained its strong evaluative sense, often carrying a slightly negative connotation that something is beyond acceptable bounds. Its usage expanded as English adjectives and adverbs needed precise gradation to signal intensity, and excessively became a canonical intensifier for emphasis in formal writing and persuasive speech. The rhythm of the word stresses the second syllable, which helps convey the qualifier’s strength in content and tone. First known use traces to linguistic shifts in Middle English toward more nuanced adverbial forms, paralleling the growth of the suffix -ly to express manner, degree, and emphasis across genres.
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Words that rhyme with "excessively"
-ely sounds
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