2 syllables: etch, ing. Stress on etch.
ECH-ing
/ˈɛtʃɪŋ/
etching is pronounced ECH-ing (/ˈɛtʃɪŋ/). It has two syllables (etch-ing), with the stress on "etch". Etching is the process of creating a design on a hard surface by cutting into it or applying a resist and then removing material, often using acid or another chemical to bite into the surface. It can also refer to the resulting engraved design or the print produced from such a plate. The term spans art, printmaking, and decorative metalworking, emphasizing precision lines and shallow depths.
Etching is the process of creating a design on a hard surface by cutting into it or applying a resist and then removing material, often using acid or another chemical to bite into the surface. It can also refer to the resulting engraved design or the print produced from such a plate. The term spans art, printmaking, and decorative metalworking, emphasizing precision lines and shallow depths.
"The museum displayed a metal etching with delicate, intricate lines."
"She learned the etching technique to produce a precise circuit pattern on copper."
"The artist prepared a zinc plate and began the etching process with a light acid bite."
Etching is pronounced EH-ching, with the primary stress on the first syllable. IPA: US/UK/AU /ˈɛtʃɪŋ/. The first sound is the open-mid front unrounded vowel /ɛ/, followed by /t/ and the /ʃ/ in “ch” blending into /ɪ/ and ending with /ŋ/. Keep the /t/ light and the /ʃ/ soft, so the word remains compact: EH- as in ‘bet’ plus the ‘ching’ as in ‘urchin’ without the r.
Two common errors are turning the initial vowel into a full afterglide (saying /eɪ/ as in ‘mate’) and over-articulating the /t/ or adding an extra syllable like /ɛtʃɪŋɡ/. Correct by keeping the vowel short /ɛ/ and making the /t/ a light stop before the /ʃ/ sequence. Ensure there’s no extra vowel between /t/ and /ʃ/; it should be /tʃ/ in “tching” without a separate /ɪ/.
In US/UK/AU, the initial /ɛ/ vowel in /ˈɛtʃɪŋ/ remains consistent; rhoticity isn’t a factor in any; the main differences are vowel quality and flapping tendency in rapid speech in some US dialects where /t/ could become a light /d/ in adjacent contexts, but not within this word. UK and US tend to maintain a crisp /t/ before /ʃ/. Australian pronunciation mirrors UK but with slight vowel height differences and a more centralized /ɪ/.
The difficulty lies in the /t/ and /ʃ/ combination (/tʃ/) and keeping the vowel short /ɛ/ while not adding an unnecessary vowel between /t/ and /ʃ/. The /t/ should not release into a full /t/ burst; instead it should be a light, quick stop followed by the /ʃ/ sound, blending into /ɪ/ before the final /ŋ/. People often insert an extra vowel or misplace the stress.
No, etching is pronounced with all letters voiced: /ˈɛtʃɪŋ/. The word’s cluster /tʃi/ relies on a deliberate /t/ release into the /ʃ/ plus a short /ɪ/ before the final /ŋ/. There isn’t any silent letter; the letters E-T-C-H are all contributing to the sound, with the ‘e’ pronounced as the /ɛ/ vowel in the first syllable.
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US: crisp /t/ release into /tʃ/ and a slightly lower, tenser /ɛ/. UK: slightly more clipped, with a crisp /t/ and /tʃ/; vowel often a touch higher due to non-rhotic influence but remains /ɛ/. AU: vowel quality slightly more centralized; /ɪ/ remains short and lax; overall, less stiff jaw and a softer /t/ release; keep /tʃ/ intact. IPA references: /ˈɛtʃɪŋ/ for all three, with minor centralization in AU. Use careful tongue placement: tip behind upper teeth for /t/, blade of tongue for /tʃ/, mid tongue for /ɪ/.
Etching comes from the Old French eschier, from estochier meaning “to erase, to subject to biting,” ultimately from esche, which itself traces to the Latin icere “to bite.” The modern English etching emerges in the 16th century as a term in printmaking, where metal plates are etched by acid to bite lines into a surface. The core sense—cutting or corroding away a material to create an image—developed from a broader family of words about biting or incising. In early engravings, artists used sharp tools; with the advent of chemical etching, the process allowed for finer, more fluid lines. Over centuries, etching broadened to decorative metalwork and print reproduction, with the technique remaining central to copperplate and zincography. The term also migrated into figurative language, describing any precise, delicate marking or trace. First known uses appear in 16th-century art treatises discussing printmaking processes, with “etching” codified as a distinct technique by practitioners who combined metalworking, chemistry, and art. Today, etching encompasses both traditional intaglio methods and modern chemical applications in non-art contexts, maintaining its association with minute detail and controlled removal of material.
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Words that rhyme with "etching"
-ing sounds
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