4 syllables: En, jamb, e, ment. Stress on jamb.
en-JAMB-muhnt
/ɛnˈdʒæmbmənt/
Enjambement is pronounced en-JAMB-muhnt (/ɛnˈdʒæmbmənt/). It has four syllables (En-jamb-e-ment), with the stress on "jamb". Enjambement is a noun in poetry describing a line of verse that carries its sense beyond the end of the line, without a syntactic break. It creates a sense of continuation and momentum by delaying punctuation and letting the sentence spill into the next line. Pronounced with attention to syllable flow, it often challenges readers to track rhythm and meaning across line breaks.
nounEnjambement is a noun in poetry describing a line of verse that carries its sense beyond the end of the line, without a syntactic break. It creates a sense of continuation and momentum by delaying punctuation and letting the sentence spill into the next line. Pronounced with attention to syllable flow, it often challenges readers to track rhythm and meaning across line breaks.
How to Pronounce Enjambement
"The poem relies on enjambement to propel the reader forward into the next line."
"Readers noted that the enjambement blurred the boundary between phrases, intensifying the stanza."
"The critic argued that excessive enjambement disrupted clarity and interrupted natural phrasing."
Pronounce as en-JAM-buh-MAHN (US/UK: /ɛnˈdʒæmˌbɒmɒ̃/ in anglicized contexts). The primary stress falls on the second syllable: jam. Start with a light ‘en’ /ɛn/, then /ˈdʒæm/ as in jam, followed by /bə/ or /bɒ/ depending on accent, and end with /mənt/ or /mɔ̃/ in some pronunciations. In teaching contexts, say: en-JAM-beh-MENT. Use a flowing sequence to avoid a clipped end.”,
Common errors include stressing the wrong syllable (placing stress on the first or third instead of the second), mispronouncing the /dʒ/ as a simple /j/ sound, and truncating the final -ment ending into a plain 'mon' or 'ment' without proper schwa or nasal quality. Correct by: (1) keeping the /dʒ/ as a single affricate, (2) stressing the ‘jam’ syllable clearly, and (3) finishing with a light, unstressed -ment, ensuring the 'e' is not silent. Practice with minimal pairs to reinforce the rhythm.
In US, you’ll typically use /ɛnˈdʒæmˌbɪˌmɛnt/ with a flatter vowel in the final syllable and a lighter second half syllable. In UK, the ending may be /-ˈmɛnt/ with a stronger t-sound and a clear /ən/ or /ə/ in the last syllable. In Australian English, expect wider vowel sounds in the middle syllables and a slightly more clipped final -ment. All share /ˈdʒæm/ in the stressed syllable, but vowel height and rhoticity affect the tail. IPA references: US /ɛnˈdʒæmˌbɪmɛnt/, UK /ɛnˈdʒæmˌbɛm(ə)nt/.
The difficulty lies in the four-syllable structure with a non-stressed first syllable and a stressed second syllable plus a trailing -ment ending. The /dʒ/ sound after tensed vowels can be challenging, and the ending often contains a subtle schwa or nasal in native practice. Focus on isolating /dʒæm/ with a strong, clear onset, then glide smoothly into /ˈbɛm(t)/ or /ˈbɛmən/ depending on dialect. Practicing with drills emphasizing the j-sound helps.
There are no silent letters in the standard pronunciation; the key is the placement and realization of stress. The word’s structural rhythm centers on the second syllable (jam), so you must place prominent emphasis there and let the following syllables trail into the final -ment with a lighter, almost unstressed delivery. Avoid elongating the -ment; keep it short and forward. IPA: /ɛnˈdʒæmˌbɛmɒ̃/ (varies by dialect).
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Enjambement derives from Old French enjamber, meaning to straddle or to straddle across. The root en- (“in, on, upon”) plus jamber (to trample? or jambe in French meaning leg) historically linked to bridging a gap. The modern term emerged in English poetry criticism in the 16th–18th centuries as poets experimented with line breaks. The form became a standard analytical concept in the study of versification in the 19th century with scholars examining how enjambment affects syntax, meaning, and rhythm. Its usage grew with the rise of free verse and modernist poetry, where line breaks deliberately carry sense beyond the line, challenging traditional expectations of end-stopped lines. First known English uses appear in discussions of metrical structure in Renaissance poetics, but the term is more fully attested in 18th- and 19th-century critical works on versification and prosody. Today, enjambement is central to analyses of contemporary poetry and international poetics, spanning English, French, and other Romance-language traditions that influence English scholarly discourse.
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Words that rhyme with "Enjambement"
-ent sounds
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