One syllable: ems.
EMZ
/ˈɛmz/
ems is pronounced EMZ (/ˈɛmz/). It has one syllable (ems), with the stress on "ems". Ems refers to the plural of the letter M or, in typography and typesetting, to the unit of measurement named after the width of the capital M. In typography, an em is a horizontal space equal to the currently specified point size. The plural “ems” is used when discussing multiple units of width, spacing, or typographic measures, and in informal writing it often appears as a shorthand for “em spaces.”.
Ems refers to the plural of the letter M or, in typography and typesetting, to the unit of measurement named after the width of the capital M. In typography, an em is a horizontal space equal to the currently specified point size. The plural “ems” is used when discussing multiple units of width, spacing, or typographic measures, and in informal writing it often appears as a shorthand for “em spaces.”
"The document had generous ems for indentation."
"In typography, an em is traditionally the width of the type. Some fonts vary, so ems can shift."
"He adjusted the margins by several ems to balance the page."
It’s pronounced as /ɛmz/. Start with the open front vowel /ɛ/ like in 'bed', then end with the voiced alveolar sibilant /z/. The final /z/ is clear and not devoiced. Think “ems” with a light, z-sound tail. IPA: /ɛmz/; stress is on the only syllable.
Common errors include pronouncing it as /ɛm/ (dropping the /z/), or saying /ɛmz/ with a very weak final /z/ or an unvoiced /s/. Some learners also substitute /eɪ/ for /ɛ/ in the vowel, giving /eɪmz/. To correct, ensure a crisp /z/ release, keep the tongue at a relaxed front-high position for /ɛ/, and avoid vowel-shift to /i/ or /æ/.
In US/UK/AU, the vowel is generally /ɛ/ as in 'bed'. The final /z/ remains voiced across accents, but nuances exist: US tends toward slightly reduced vowel duration before /z/, UK and AU may exhibit subtle vowel length differences in careful speech. All share rhoticity considerations only for the preceding vowel; the word itself is not rhotic. The primary variation is vowel quality and occasional syllable timing rather than core consonantal voicing.
The difficulty lies in isolating the short /ɛ/ vowel and ensuring the /z/ is clearly voiced without becoming a /s/ or a trailing vowel. For some speakers, the transition from vowel to /z/ creates a slight vowel-length issue or an over-aspirated air before the /z/. The key is a clean, quick transition from /ɛ/ to /z/ with a taut, relaxed jaw and steady airflow.
The word ends with a voiced sibilant, /z/. Some learners mistakenly voice it as /s/ or omit the final consonant in rapid speech. Focusing on a crisp /z/ release helps maintain word clarity, especially in rapid or connected speech where the following word begins with a consonant. The surrounding sounds—especially the preceding /ɛ/—should not be shortened excessively.
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The term em originates from the width of the letter M in metal type, a physical standard in early typography. The size of an em equals the font’s point size (for example, a 12-point font has an em of 12 points). Historically, the width of M varied with typeface design, so “em” is a typographic unit tied to the font’s metrics rather than a fixed measurement across all fonts. The concept evolved as printers sought consistent horizontal spacing for alignment, margins, and indentation. The plural form ems follows standard English pluralization, often used in discussing multiple units (ems) or em spaces in typesetting. The term is closely related to en (half the width of an em), and to dashes and spaces named by their relative widths. First known use traces to early modern printing practices in Western Europe, with the term solidifying in the 18th–19th centuries as typography professional jargon. In digital typography, ems persist as CSS unit 'em', preserving the legacy of physical type while adapting to scalable layouts.
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💡 These words have similar meanings to "ems" and can often be used interchangeably.
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Words that rhyme with "ems"
-ems sounds
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