3 syllables: em, bod, y. Stress on bod.
im-BAH-dee
/ɪˈmbɑdi/
embody is pronounced im-BAH-dee (/ɪˈmbɑdi/). It has three syllables (em-bod-y), with the stress on "bod". Embody means to give concrete form to an idea, quality, or concept by representing it in a tangible way. It involves translating abstract attributes into visible, tangible expressions or actions that clearly illustrate the essence of something. In practice, to embody something is to be a living example of it.
Embody means to give concrete form to an idea, quality, or concept by representing it in a tangible way. It involves translating abstract attributes into visible, tangible expressions or actions that clearly illustrate the essence of something. In practice, to embody something is to be a living example of it.
"Her leadership style embodiesconfidence and decisiveness in every meeting."
"The statue embodies the city’s history and resilience."
"Her charity work embodies the spirit of community service."
Em-body is pronounced with the stress on the second syllable: /ɪmˈbɒd.i/ (US/UK). Start with a short, clipped /ɪ/ or /ɪm/ sound, then the stressed /ˈbɒd/ as in 'bod' with an open back rounded vowel, and finish with a light /i/ as in 'see'. Ensure the /m/ flows directly into /b/ without detaching, and keep the final /i/ unstressed and quick. IPA: US/UK: ɪmˈbɒd.i. Audio reference: listen for the syllable peak on /bɒd/.
Two common errors: (1) Misplacing the stress on the first syllable, saying em-BO-dy instead of em-BOD-y; (2) Slurring the /b/ into /d/ producing 'embody' as /ˌɛmˈboʊdi/ or /ɪmˈboʊdi/ with a diphthongal second syllable. Correction: keep /b/ and /d/ as distinct consonants with a clear /b/ onset to the stressed /bɒd/; use a short, clipped initial /ɪm/ and a crisp /ˈbɒd/; finish with a light /i/.
In US English, /ɪmˈbɒd.i/ tends to be with a more varied /ɒ/ (cot) vowel depending on region. UK English often uses a similar /ɒ/ but with less rhotic influence; the final /i/ can be a shorter schwa-like. Australian English generally features a near-open front unrounded vowel in the first syllable and a slightly tighter final /i/. Across accents, the key difference is vowel height and rhoticity, while the /m/–/b/ transition remains tight.
The difficulty lies in the devoicing and the rapid consonant cluster /mb/ that requires a seamless transition from a nasal to a stop. The /m/ should connect cleanly to /b/ without an audible pause; the stressed /bɒd/ must be clearly voiced with proper mouth opening. The trailing /i/ should stay light and unstressed. Practicing the /m/ to /b/ transition and keeping the first syllable short helps cope with this.
No. Every sound is typically pronounced: /ɪmˈbɒd.i/ with a clear /m/, /b/, /d/ and final /i/. The first syllable is not silent; the 'em' provides the initial consonant cluster, and the 'body' portion is fully enunciated with the final short vowel. Focus on the crisp /b/ and /d/ to avoid an intrusive vowel between them.
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The verb embody originates from Middle English embodi, from the prefix en- (variant of in- before b) meaning to cause to be in or render, combined with body. Its precise lineage traces to Old French emboder, from the Late Latin inbodare, and ultimately from Latin corpus ‘body’. The transformation from a literal ‘to put into a body’ to a figurative sense of giving form or tangible realization to an idea occurs in the early modern period, with examples attested in the 15th–16th centuries. The word carried the sense of making something corporeal or visible by material representation and gradually extended to abstract qualities. By the 17th century, embody was widely used in both philosophical and literary contexts to describe the expression of virtue, character, or principle through concrete action or embodiment in form, person, or object. Modern usage has both concrete and metaphorical applications, from art and design to social behavior and policy.
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Words that rhyme with "embody"
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