5 syllables: e, li, mi, nat, ing. Stress on li.
il-IM-uh-nay-ting
/ɪˈlɪməˌneɪtɪŋ/
eliminating is pronounced il-IM-uh-nay-ting (/ɪˈlɪməˌneɪtɪŋ/). It has five syllables (e-li-mi-nat-ing), with the stress on "li". Eliminating is the process of removing or excluding something, often through deliberate action or decision. In grammar, it can refer to removing a category or option, and in broader contexts it means causing something to be eliminated or no longer present. The term emphasizes active reduction or elimination rather than mere absence.
Eliminating is the process of removing or excluding something, often through deliberate action or decision. In grammar, it can refer to removing a category or option, and in broader contexts it means causing something to be eliminated or no longer present. The term emphasizes active reduction or elimination rather than mere absence.
- You may flatten the stress, treating eliminating as a flat sequence rather than a tri-syllabic word; deliberately mark the /neɪ/ as the core. - Mispronounce the diphthong /eɪ/ as /ɛ/ or /i:/; keep the precise glide from /e/ to /ɪ/ to /ɪŋ/ to your final /ŋ/. - At end, shortens the -ing to /ɪn/ or mumbles the /tɪŋ/; ensure the /t/ is audible and the final /ŋ/ is velar and nasal. Correction tips: practice with slow phoneme-by-phoneme drills, emphasize the /neɪ/ diphthong, and perform rhythm drills to maintain 3-syllable stress pattern. Use focused shadowing with minimal pairs: eliminating vs elm-in-ate-ing. Keep the tongue relaxed but precise, avoid tensing the jaw; pace your utterance to maintain the syllable boundaries.
"The company is eliminating several redundant procedures to streamline operations."
"During the debate, the candidate proposed eliminating several tax loopholes."
"Researchers are eliminating confounding variables to ensure the study’s results are valid."
Pronounce as /ˌɛlɪmɪˈneɪtɪŋ/. Stress falls on the third syllable: e-li-MI-nat-ing, but the primary stress is on the third syllable when you say it in full: /ˌɛ.lɪ.mɪˈneɪ.tɪŋ/ depending on the dialect. Start with a clear /ɛ/ in ‘e,’ then light, brief /lɪ/; stress the /neɪ/ with a long E sound; finish with /tɪŋ/. Visualize: eh-LIH-mi-NAY-ting. For audio, imagine saying it in a deliberate, formal cadence.
Two common errors: (1) misplacing the stress, saying e-LIM-i-nating instead of e-li-MI-nat-ing; (2) mispronouncing the /neɪ/ as a short /næ/ or blending /neɪt/ into /nɪt/. Correction: keep the diphthong /eɪ/ accurately, and maintain the /ˈneɪ/ syllable with a clear from-tongue transition. Also ensure the final -ing is pronounced /ɪŋ/ rather than a schwa plus ng. Keep the sequence smooth: /ˌɛ.lɪ.mɪˈneɪ.tɪŋ/.
US: /ˌɛlɪmɪˈneɪtɪŋ/ with rhotic R optional; UK/ RP: /ˌɛlɪmɪˈneɪtɪŋ/ similar but vowel qualities are crisper and /ɪ/ vs /ə/ in some unstressed vowels. AU: /ˌɛlɪmɪˈneɪtɪŋ/ with non-rhotic tendency; vowel lengthening can be subtler and final /t/ may be flapped or glottalized in rapid speech. All share the /neɪ/ diphthong; the main differences are vowel reduction in unstressed syllables and the realization of /t/ as a alveolar stop vs a glottal stop in very casual speech.
The challenge lies in sequencing a multi-syllabic word with several light syllables and a mid-length diphthong /eɪ/. The sequence metalanguage of stress on the third syllable can mislead; you must maintain the secondary stress and ensure the /l/ and /m/ clusters flow without overemphasizing any single consonant. Additionally, the combination of /l/ + /ɪ/ + /m/ + /ɪ/ + /neɪ/ can cause vowel reduction to creep in. Practicing with slow, precise enunciation helps stabilize rhythm and reduces sloppiness in rapid speech.
The word carries primary stress on the syllable -ne- (third syllable). The general pattern is u-weak-strong-weak, but the 'ne' in the middle acts as the nucleus for the second stressed syllable within the word. In practice you’ll hear: eh-LIH-mi-NAY-ting, with the loudest beat on /neɪ/. Pay attention to not reducing the /m/ or /n/ sounds too much; ensure the vowel in the /neɪ/ is clear and the ending -ing remains /ɪŋ/ rather than a reduced /ɪn/.
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US: rhotic, clearer /ɹ/ with stable /l/; UK: slightly more clipped vowels, maintain non-rhoticity in some speakers, with brisk /t/ in final -ing; AU: often non-rhotic, faster tempo, a lighter final -ing with less distinct /ɪŋ/. Vowel quality: /eɪ/ in the stressed /neɪ/ is central; unstressed /ɪ/ sounds reduced toward schwa. IPA references: US /ˌɛlɪmɪˈneɪtɪŋ/; UK /ˌɛlɪmɪˈneɪtɪŋ/; AU /ˌɛlɪmɪˈneɪtɪŋ/. Consonants: /l/ is light but precise; /m/ remains bilabial; /t/ can be a clear stop or a flapped variant in fast speech; final /ŋ/ is velar nasal.
Eliminating comes from the prefix ex- meaning out of, plus the Latin verb limbare? No, it derives from late Latin eliminare, from e- (out) + limen (threshold, boundary). The form passed into English through French influence in the 16th–17th centuries, with eliminare then eliminant and eliminating reflecting the -ing participle formation. The root limen evolved to denote boundary or limit; in legal and logical language it came to mean removing a boundary or category. Over time, eliminating gained broader usage in everyday English to describe the act of removing something from a set, list, rule, or system. First known uses appear in scholarly and legal texts where options or possibilities were being excised, later generalizing to any act of removal or subtraction in science, policy, and general discourse.
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Words that rhyme with "eliminating"
-ing sounds
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