3 syllables: du, ra, tions. Stress on ra.
dyoo-RAY-shuhnz
/djuˈreɪʃənz/
durations is pronounced dyoo-RAY-shuhnz (/djuˈreɪʃənz/). It has three syllables (du-ra-tions), with the stress on "ra". Durations refers to the lengths of time that something lasts. In linguistics, it can describe the length of a sound or syllable; in everyday use, it means how long events or intervals persist. The term is commonly used in academic, scientific, and scheduling contexts to quantify temporal extent.
Durations refers to the lengths of time that something lasts. In linguistics, it can describe the length of a sound or syllable; in everyday use, it means how long events or intervals persist. The term is commonly used in academic, scientific, and scheduling contexts to quantify temporal extent.
- You may misplace stress, thinking it’s DUR-a-tions; keep the stress on the second syllable: du-RAY-zhuhnz. - Another common error is weakening the /d/ onset or producing an intrusive 'y' sound; start with a clean /d/ and avoid adding extra /j/ before /uː/ or /ʊ/ in US/UK contexts. - Finally, do not devoice the final /z/ in careful speech; maintain voice to keep /z/ rather than /s/ in careful or slower speech. Practice by segmenting: /d/ /juː/ /ˈreɪ/ /ʃən/ /z/ and linking in connected speech.”,
"We measured the durations of the interviews to compare variability."
"The durations of the lights’ blink cycles varied throughout the experiment."
"She studied multiple durations of practice to determine the optimal session length."
Durations is pronounced with stress on the second syllable: du-RAY-zhuhnz. IPA (US/UK): dʊˈreɪ.ʃənz. For careful articulation, start with the /d/ sound, then /ju/ as in ‘you’ blended quickly into /ˈreɪ/ (a long A). The final /ʃənz/ combines a voiced postalveolar fricative cluster with a syllabic /n/ and final /z/. In careful speech, ensure the /r/ is pronounced (American and some UK accents), and avoid collapsing the /ɒ/ or /ɔː/ into an unclear vowel. If you’re speaking slowly, hold the /eɪ/ a touch longer before /ʃənz/.”
Common errors: 1) Slurring the second syllable so /reɪ/ sounds like /riː/ or /rə/; keep /reɪ/ as a clear long A. 2) Dropping the /d/ at the start or making it sound like /dur-ations/ with a weak onset; start firm with /d/; 3) Mispronouncing the final /z/ as /s/ or devoices at the end in connected speech; keep voiced /z/ unless eliding. Practice by isolating /djuːˈreɪ.ʃənz/ and then link to ‘the durations’ in fluent sentences.”
US: r-colored r in /dʊˈreɪ.ʃənz/ with an approximate rhotic /ɹ/. UK: /djuːˈreɪ.ʃənz/ with non-rhotic or weaker r depending on region; sometimes /djuːˈreɪ.ʃənz/ with a lengthened /uː/ and less rhoticity. AU: similar to UK but with more pronounced vowel quality shifts; may realize /djuː/ as /dɜː/ or /djuː/ depending on speaker. In all variants, the stress remains on the second syllable; vowel quality of /eɪ/ and final /ənz/ often remains stable, but vowel shortening and flapping tendencies can alter the sound in connected speech.”
The difficulty comes from the diphthong /eɪ/ in the stressed nucleus and the final cluster /ʃənz/ after a voiced alveolar stop. You must coordinate a clear /d/ onset, a rounded /ʊ/ or /juː/ in the first syllable, then the long /eɪ/ and the /ʃ/ followed by a syllabic /ən/ before /z/. In fast speech, the /r/ can blur into a non-rhotic variant, and the /z/ can become devoiced to /s/. Precision in tongue position for /ˈreɪ.ʃənz/? Actually /ˈreɪ.ʃənz/ shows the /ʃ/ complexity; ensure the /r/ is light if rhotic.”
A key feature is the combination of a strong stressed nucleus with a following /t/ or /d/ onset in some dialects? Wait—durations uses a /d/ onset, then /juː/ or /ʊə/ depending on speaker, then /ˈreɪ.ʃənz/. The unique angle is mapping abstract time-scale terminology to natural speech, which reveals subtle vowel quality shifts in the /eɪ/ and the presence of an audible /ʃ/ before the /ənz/. Also, in some fast registers, the /d/ and /j/ can coalesce into a /dʒ/ or be elided in rapid speech.”
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US: rhotic /r/ is pronounced; value is slightly more fronted, with a clear /djuː/ onset. UK: less rhotic; /djuː/ may approximate /dj-/ or /djuː/ with a quieter /r/; AU: similar to UK but with more vowel shifting; /ɜː/ or /juː/ in some speakers. For all: maintain the stressed nucleus /ˈreɪ/ with a crisp /d/ onset and avoiced final /z/. IPA references: US /dʊˈreɪ.ʃənz/, UK /djuːˈreɪ.ʃənz/, AU /djuːˈreɪ.ʃənz/.”,
Durations comes from the noun duration, which derives from Old French duree, ultimately from Latin durare “to last, endure,” from durus “hard, lasting.” The transition into English preserved the sense of continuing time. In the late Middle English period, durations referred more to the quality of lasting time rather than momentary instances. As science and mathematics formalized measurement of time, durations expanded to quantify how long events or sounds persist, giving rise to specialized uses in physics, linguistics (phonetic duration), music, and scheduling. The word’s plural form, durations, appeared to distinguish multiple separate lengths or periods, such as the various durations of tones in a phonetic study or phases in an experiment. The concept remained integral as exact temporal measurement became standard in research and planning, reinforcing the term’s precise, technical connotation across disciplines.
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