One syllable: drifts.
drifts
/dɹɪfts/
drifts is pronounced drifts (/dɹɪfts/). It has one syllable (drifts), with the stress on "drifts". Drifts is the third-person singular present tense of drift, meaning to be carried slowly by movement of air, water, or time, or to deviate from a course or standard. In common usage it denotes gradual movement or a tendency to veer off course, often used metaphorically (e.g., “the conversation drifts to unrelated topics”). The term can describe physical motion or shifting opinions, trends, or attention over time.
Drifts is the third-person singular present tense of drift, meaning to be carried slowly by movement of air, water, or time, or to deviate from a course or standard. In common usage it denotes gradual movement or a tendency to veer off course, often used metaphorically (e.g., “the conversation drifts to unrelated topics”). The term can describe physical motion or shifting opinions, trends, or attention over time.
- You might neutralize the vowel too much, producing something like /drɪfs/ with a short i; keep crisp /ɪ/ as in 'bit'. - Do not lag the final /t/; the sequence should be /t/ release into /s/, not a prolonged /t/ with trailing breath. - Avoid an overly aspirated /d/; maintain a clean alveolar stop followed quickly by the /f/ and /ts/ cluster. - Rate matters: when fast, ensure the /f/ and /t/ are crisp; slow down to hear each segment before speeding up. - Practice with minimal pairs like drift vs dried (not exact, but to monitor rhotics and vowel) for onset clarity.
"The sand drifts across the dune as the wind strengthens."
"Her focus drifts during the long lecture, and she starts doodling."
"The river drifts toward the center as currents change."
You pronounce it as /drɪfts/. Start with a light, quick /d/ release, then the short /ɪ/ as in “bit,” followed by the /f/ and the /ts/ cluster at the end. Stress falls on the single syllable: DRIFTS. A concise audio cue: d-ruhfts with a crisp final t-s release.
Common errors: (1) Not releasing the final /t/ fully, leading to a muted -fts; ensure a sharp /t/ before the /s/. (2) Dropping the /ɪ/ vowel or making it a schwa; keep a short, crisp /ɪ/. (3) Slurring the /dr/ cluster, producing a vague /drɪ/; practice with finger-tlick tongue positioning for a clean onset.
US/UK mostly share /drɪfts/, but the /ɪ/ quality and rhotacization differ in broader speech. In some US dialects, the /r/ is rhotic, with a clearer post-vocalic coloring; UK accents can have a shorter /ɪ/ and crisper /t/; AU tends to slightly broaden vowels and may reduce vowel duration before voiceless consonants. Overall the ending /-fts/ remains compact across accents.
The difficulty lies in the /dr/ onset blending and the final /ts/ cluster. Many speakers insert a vowel between /t/ and /s/ or fail to release the /t/ fully, muting the ending. Mastery requires a precise tongue position: touch the tip to the alveolar ridge for /d/ and /t/, then explode into the sharp /s/ after an unobstructed /f/ in the coda. Practice builds this natural speed.
Be mindful of the /dr/ onset and the voiceless alveolar affricate /t͡s/ sequel. The /d/ is voiced, but the /t͡s/ is unvoiced, so you should not voice the final sound. The tongue should stay high for the /r/ influence and then snap forward for /d/ and /t/, ending with a quiet /s/. The exact timing between /f/ and /t/—no extra vowel between them—matters for naturalness.
🗣️ Voice search tip: These questions are optimized for voice search. Try asking your voice assistant any of these questions about "drifts"!
- US: emphasize rhoticity with a slightly stronger consonant release; /drɪfts/ has a full /r/ vowel transition and a crisp /t͡s/ at the end. - UK: /drɪfts/ tends to have a shorter /ɪ/ and tighter /t/ release; less vocalic coloring on /ɪ/; keep the final /ts/ compact. - AU: vowels are often broader; you may hear a slightly longer /ɪ/ or a more airy /ɪ/; keep the final /ts/ clearly released but not overemphasized. - IPA anchors: /d/ (voiced alveolar stop), /r/ (alveolar approximant in many accents), /ɪ/ (near-close near-front lax), /f/ (labiodental fricative), /t͡s/ (voiceless alveolar affricate). - Practice with ambient speech: listen for local vowel coloration and adjust mouth openness accordingly.
Drifts derives from drift, tracing to Old English drifan, meaning to drive or move, combined with drift as a noun meaning a movement or tendency. The sense be carried by air or water emerged in Middle English, with drift as a general noun for displacement. By the 16th century, drift was used metaphorically to describe movement away from a path or from one’s intended aim, frequently in nautical or meteorological contexts. The verb drift gained popularity in the early modern period to describe gradual, unintentional movement, both literal (water, wind, sediment) and figurative (ideas, opinions). In contemporary use, drifts can describe slow, almost imperceptible shifts in behavior, policy, or cultural norms, often implying a passive or indirect change rather than a deliberate decision. The word is widely used across domains including physics, meteorology, social science, and everyday speech to convey a sense of gradual deviation rather than abrupt change.
💡 Etymology tip: Understanding word origins can help you remember pronunciation patterns and recognize related words in the same language family.
Help others use "drifts" correctly by contributing grammar tips, common mistakes, and context guidance.
💡 These words have similar meanings to "drifts" and can often be used interchangeably.
🔄 These words have opposite meanings to "drifts" and show contrast in usage.
📚 Vocabulary tip: Learning synonyms and antonyms helps you understand nuanced differences in meaning and improves your word choice in speaking and writing.
Words that rhyme with "drifts"
-fts sounds
Practice with these rhyming pairs to improve your pronunciation consistency:
🎵 Rhyme tip: Practicing with rhyming words helps you master similar sound patterns and improves your overall pronunciation accuracy.
