2 syllables: down, right. Stress on down.
DOWN-reyet
/ˈdaʊˌnɹaɪt/
downright is pronounced DOWN-reyet (/ˈdaʊˌnɹaɪt/). It has two syllables (down-right), with the stress on "down". Downright is an adverb or adjective meaning “completely” or “excessively,” often with a strong, emphatic sense. It denotes a thorough degree or extent, sometimes carrying a negative or blunt nuance. In use, it can intensify adjectives (downright ridiculous) or describe actions that are thorough or unequivocal. The term conveys emphasis more than mere approximation.
Downright is an adverb or adjective meaning “completely” or “excessively,” often with a strong, emphatic sense. It denotes a thorough degree or extent, sometimes carrying a negative or blunt nuance. In use, it can intensify adjectives (downright ridiculous) or describe actions that are thorough or unequivocal. The term conveys emphasis more than mere approximation.
"The film was downright terrifying in the climactic scene."
"Her stance was downright stubborn, leaving little room for compromise."
"It was a downright mistake to ignore the warning signs."
- Pronounce as two syllables: DAWN-right. The primary stress is on the first syllable: ˈdaʊnˌraɪt. The first part DAWN is /daʊn/ with the vowel sound in “how” or “now.” The second part RIGHT is /raɪt/, a pure diphthong /aɪ/ followed by /t/. In connected speech, the /n/ of down may link tightly to /raɪt/, so you’ll hear [ˈdaʊnˌraɪt]. Practice by isolating /daʊn/ and /raɪt/ and then blending with a light, almost gliding connection between syllables.
Common errors: 1) Flattening the diphthong /aɪ/ to a pure /a:/, giving a dull ‘down-rait’; ensure you glide from /aʊ/ to /ɔɪ/ sound. 2) Misplacing the /n/—avoid an intrusive or voiceless nasal; keep a clear transfer into /raɪt/. 3) Final /t/ devoicing or stopping is fine, but avoid a stop release before /t/; end with a crisp /t/ with aspirated release. Practice by holding the first syllable with slight, restrained lip rounding and finishing with a clean /t/ release.
US: primary stress on first syllable, /ˈdaʊnˌraɪt/, clear /aɪ/ diphthong and light /t/. UK: similar pattern, but slight vowel quality shifts in /aʊ/ and non-rhoticity often affects the following consonant timing; still /ˈdaʊnˌraɪt/. AU: tends to be more clipped with no strong r-coloring; /ˈdaʊnˌraɪt/ remains, but intonation can be broader and vowels slightly more centralized. Across all, the core /ˈdaʊn/ and /raɪt/ segments stay stable, with prosody shaping rhythm.
Two main challenges: first, the initial /daʊn/ requires a precise diphthong /aʊ/ that begins with a mid back to near-high front position, often muddied by rapid speech. Second, the sequence /ˌraɪt/ demands a quick glide /aɪ/ followed by a short, assertive /t/ without vowel intrusion. Balancing the tempo between the two syllables and avoiding vowel reduction in casual speech makes it tricky. Focus on clear separation yet smooth transition between syllables.
A distinctive feature of downright is the optional near-phonetic linking between /n/ and /r/ in rapid speech. Some speakers lightly coarticulate the /n/ into the onset of /raɪt/, producing a subtle /n-r/ blend that can sound like /ndraɪt/ in fast talk. This blending is not a separate sound but a timing/flow nuance. Staying aware of the boundary helps you maintain crisp syllable integrity in careful speech.
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Downright originates in Middle English and combines the adverbial element down—used historically to indicate direction or extent—and the adjective right, meaning proper or exact. The compound conveyed the sense of “to the right extent” or “to the proper degree,” evolving into the modern meaning of “completely” or “emphatically.” The earliest uses trace back to the 16th century, with instances in legal and descriptive texts where strength or certainty was being emphasized. By the 17th and 18th centuries, downright had cemented its role as an intensifier in both spoken and printed English, often carrying a colloquial or emphatic tone rather than formal diction. Over time, it broadened to cover not only degrees of quality but also moral or factual absolutes in colloquial speech. In contemporary usage, it remains a versatile, emphatic adverb/adjective that can color adjectives and nouns with a strong, often blunt force. The word’s semantic field aligns with intensifiers like absolutely, entirely, and completely, but downright retains a more colloquial edge and a sharper sense of finality or severity in judgment or description.
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Words that rhyme with "downright"
-ght sounds
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