2 syllables: di, vine. Stress on vine.
div-EYEN
/dɪˈvaɪn/
divine is pronounced div-EYEN (/dɪˈvaɪn/). It has two syllables (di-vine), with the stress on "vine". Divine describes something supremely good, holy, or godlike; it can refer to excellence, or to a deity or sacred status. In everyday use, it often conveys a sense of extraordinary quality or providence, but can also function as an adjective or noun in religious contexts. The word carries a formal or elevated tone depending on context.
Divine describes something supremely good, holy, or godlike; it can refer to excellence, or to a deity or sacred status. In everyday use, it often conveys a sense of extraordinary quality or providence, but can also function as an adjective or noun in religious contexts. The word carries a formal or elevated tone depending on context.
"A divine meal awaited them at the renowned temple restaurant."
"Her performance was nothing short of divine, leaving the crowd in awe."
"The hikers followed the divine guidance of the old map to the valley."
Pronounce as /dɪˈvaɪn/ with stress on the second syllable. Start with a short, relaxed /d/ followed by a short /ɪ/ (as in kit), then a clear /v/ and a long diphthong /aɪ/ like ‘eye,’ ending with /n/. Think: di-VEIN. If you’re listening, you’ll hear the peak vowel sound in the second syllable; aim for a clean, concise /aɪ/ glide and a firm /n/ at the end.
Common mistakes include pronouncing as /dəˈvaɪn/ with an unstressed initial schwa, which softens the word; or turning /aɪ/ into a short /ɪ/ or /i/—giving /dɪˈvɪn/ instead of /dɪˈvaɪn/. Another frequent error is delaying the /ɪ/ preceding /aɪ/, producing /dɪˈvɜːn/ or similar. Correction: keep the /ɪ/ before the /vaɪ/ sequence tight; ensure the /aɪ/ is the nucleus of the stressed syllable and ends with a crisp /n/.
Across accents, the core /dɪˈvaɪn/ remains, but vowel quality shifts slightly. US speakers often have a tighter, less rounded /ɪ/ preceding the /vaɪn/; UK speakers may exhibit a slightly softer /ɪ/ and crisper /n/. Australian pronunciation typically features a open, shorter /ɪ/ and can exhibit a marginally broader mouth opening on /aɪ/. Stress remains on the second syllable in all three, with minor rhythm differences due to accent speech patterns.
The difficulty lies mainly in the diphthong /aɪ/ following a short /ɪ/ and maintaining crisp, postvocalic /n/. Many speakers reduce the /ɪ/ or merge the vowel sequence, resulting in /dəˈvaɪn/ or /dɪˈvaɪn/ with inconsistent initial vowel. Also, the linked consonants /v/ and /n/ require precise tongue positioning to avoid a nasalized or velarized offset. Focusing on the two-channel vowel glide and clean consonant closures helps stabilize pronunciation.
A common point of query is whether the word carries any silent letters. Divine has no silent letters; both syllables are pronounced: di (short /ɪ/) and vein (long /ɪ/ with /eɪ/ glide). The vowel transition in /ɪˈveɪn/ is crucial: keep the /ɪ/ distinct but brief, then glide into the /eɪ/ and finish with a crisp /n/.
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Divine comes from the Latin divinus, meaning “of a god, godlike, or sacred.” The root divus or deus indicates deities, with divinus evolving to describe things of or pertaining to the gods. In Latin, divinus was used in religious and formal contexts, denoting sacred status or revelation. The term entered Middle English via Old French divin, shaped by ecclesiastical Latin influence, and retained its elevated tone in English usage. Historically, divine carried connotations of providence and destiny, and by the Renaissance it also applied to extraordinary beauty or virtue, not strictly religious content. Over time, usage broadened to secular contexts describing exceptional quality (divine food, divine comedy). First known English attestations appear in religious and scholarly texts, aligning with its Latin roots, and later it diversified to everyday adjectives and metaphorical praise while preserving its semi-sacred aura.
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Words that rhyme with "divine"
-ine sounds
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