3 syllables: dis, turb, ing. Stress on turb.
dis-TUR-bing
/dɪˈstɝbɪŋ/
disturbing is pronounced dis-TUR-bing (/dɪˈstɝbɪŋ/). It has three syllables (dis-turb-ing), with the stress on "turb". Disturbing refers to something that causes anxiety, worry, or strong discomfort. It can describe events, images, or information that disrupt emotional calm or propriety, often provoking a strong negative reaction. The term carries a sense of perceived threat or offense, and is commonly used in formal and informal discourse to flag unsettling content or situations.
Disturbing refers to something that causes anxiety, worry, or strong discomfort. It can describe events, images, or information that disrupt emotional calm or propriety, often provoking a strong negative reaction. The term carries a sense of perceived threat or offense, and is commonly used in formal and informal discourse to flag unsettling content or situations.
"The documentary contained disturbing scenes that viewers found hard to watch."
"Her remarks were disturbing enough to prompt an immediate safety review."
"There was a disturbing pattern of behavior reported by several neighbors."
You say /dɪˈstɜːrbɪŋ/ in US and UK English, with two syllables before the ending -ing voice leading to three: dis-TURB-ing. The primary stress is on the second syllable, 'TURB'. Begin with a short 'di' /dɪ/, then a stressed 'stɜːr' vowel that’s like a r-colored schwa in many accents, followed by an unstressed 'bɪŋ'. In US English, the 'er' is rhotacized (the r is pronounced). In careful speech, you’ll hear the full r; in some UK varieties, you may hear a non-rhotic 'disturbing' without linking r in coda positions before vowels.
Common errors include misplacing the primary stress (saying dis-TURB-ing with stress on 'dis'), omitting the 'r' in the r-colored vowel, or pronouncing the middle vowel as a flat 'uh' rather than /ɜːr/ in US. To correct: ensure the second syllable carries primary stress and uses /ˈstɜːr/; pronounce the post-stress -bɪŋ clearly, with the 'i' as a short, lax vowel and the 'ng' as velar nasal. Practicing the sequence dis-TURB-ing helps you lock the rhythm and avoid loud endings.
US: rhotic /ɪˈstɜːr-bɪŋ/ with clear /ɜːr/ in the stressed syllable and a pronounced r. UK: often less rhotic in careful speech; /dɪˈstɜːbɪŋ/ with a shorter, less retroflex vowel and lighter r; AU: similar to UK but with broader vowels and a slightly more centralized /ɜː/ in the stressed syllable. Across all, stress remains on the second syllable; the main variation is rhoticity and vowel quality in the stressed vowel.
Two main challenges: the stressed syllable 'TURB' houses a dense consonant cluster with /st/ leading into /ɜːr/; the /ɜːr/ vowel is inherently tricky due to rhoticity in American varieties. Additionally, the final -ing forms a soft, nasal ending that can bleed into the preceding consonants if you don’t separate the syllables. Focus on the precise mouth positions for /st/ and the rhotic /ɜːr/ before adding /bɪŋ/.
The middle syllable carries the core stress and contains a vowel that often blends with an r-color, creating /ˈstɜːr/. The subtle difference between /ˈstɜːr/ and /ˈstɜːb/ is critical: articulation must maintain a clear /r/ coloration in rhotic accents while avoiding a trailing schwa that shortens the second vowel. This combination— /ˈstɜːr/ plus /bɪŋ/—is what listeners latch onto as authentic.
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Disturbing comes from the verb disturb, derived from Latin disturbare, formed from dis- ‘apart, away’ and turbare ‘to throw into confusion, to trouble’, based on turba ‘confusion, crowd’. The earliest English sense of disturb was ‘to throw into disorder or confusion’, dating to the 14th century. By the 17th–18th centuries, disturb began to encompass causing worry or interference in peace or course of events. The suffix -ing, used to form participles and adjectives, yields ‘disturbing’ to describe something that causes disturbance. Over time, the nuance shifted from physical disruption to psychological impact, with contemporary usage frequently signaling moral or emotional unease. In modern usage, disturbing often connotes content that violates social norms or personal comfort, rather than merely being noisy or disruptive. The word appears across journalism, academia, and everyday speech, used both attributively (a disturbing trend) and predicatively (the scene was disturbing). First known use in print aligns with early Modern English, with attestations in legal and moral discourse as concerns about safety, propriety, and emotional impact intensified in the 19th and 20th centuries.
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Words that rhyme with "disturbing"
-ing sounds
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