3 syllables: dis, tract, ions. Stress on tract.
dis-TRAK-shuhnz
/dɪsˈtɹækʃənz/
distractions is pronounced dis-TRAK-shuhnz (/dɪsˈtɹækʃənz/). It has three syllables (dis-tract-ions), with the stress on "tract". Distractions refers to things that draw attention away from a main task or focus. It denotes both the act of distracting and the sources that cause diversion. In everyday usage, the term often implies interruptions or interruptions that hinder concentration, requiring mindful redirection of attention to restore focus. (2–4 sentences, ~55–70 words).
Distractions refers to things that draw attention away from a main task or focus. It denotes both the act of distracting and the sources that cause diversion. In everyday usage, the term often implies interruptions or interruptions that hinder concentration, requiring mindful redirection of attention to restore focus. (2–4 sentences, ~55–70 words)
- Misplacing stress: You’ll typically hear and say dis-TRAC-tions; ensure the primary stress is on -TRAC-. If you stress the wrong syllable, the word sounds off and readers may misinterpret your emphasis. - Over-smoothing the /str/ cluster: Don’t simplify /str/ into /s/ or /t/; keep the /s/ + /t/ blend tight. - Weak /tʃ/ realization: The /tʃ/ should be a clear palatal affricate, not a simple /ʃ/ or a dʒ. How to fix: practice with mirror-tinged mouth positions; exaggerate the /t/ bursts in slow practice, then ease them to a natural pace. - Final -z voiced: Don’t devoice; let the vocal cords vibrate for /z/. - Final /ənz/ reduction: In quick speech, the /ə/ can reduce to a schwa; keep the /ən/ clean and avoid turning into /n/ or /nz/.” ,
"Her study session was ruined by constant distractions from her phone."
"The manager implemented quiet hours to minimize distractions in the office."
"Distractions during driving can be dangerous, so stay focused on the road."
Break it into syllables: dis-TRAC-tions with primary stress on the second syllable. IPA: /dɪˈstræk.ʃənz/. Start with a short i sound, then stressed /ˈtræk/ as in ‘track,’ followed by a light /-ʃənz/ cluster. Keep the /tʃ/ silent-gair group tight, and end with an audible z. For soft pronunciation, ensure the /ɪ/ is a quick, light vowel and don’t let the /i/ in the second syllable drift into a schwa before /tʃənz/.
Two common errors: (1) placing the stress on the first syllable (dis-TRAC-tions) or spreading it across the second (dɪˈstræk.tɪ.ənz vs dɪˈstræk.ʃənz). (2) Mispronouncing the /tʃ/ as /t/ or /dʒ/ and collapsing /tʃənz/ to a flat /tnz/. Correction: hold the /tʃ/ clearly as a palatal affricate, with tongue blade against alveolar ridge and a brief affricate release into /ənz/. Ensure the /ɪ/ in the first syllable is short, not a full vowel in the nucleus of the second.
US: /dɪˈstræk.ʃənz/, rhotic with clear /r/ and a strong secondary stress on the second syllable. UK: /dɪˈstræk.ʃənz/ with non-rhotic r (often silent /r/, depending on the speaker) and a slightly shorter /æ/ in the second syllable. AU: /dɪˈstræk.ʃənz/ similar to US but with more vowel reduction in rapid speech and a tendency toward a flatter /ə/ in the final syllable. Primary stress remains on the second syllable in all three, but rhoticity and vowel quality differ.
The difficulty lies in the consonant cluster /str/ and the /tʃ/ sequence /tʃənz/. You must manage a precise tongue position: start with a short /ɪ/ then a stable /ˈstræ/ sequence, then the palatal /tʃ/ followed quickly by /ənz/. The transition from /æ/ to /tʃ/ is tricky when the word is said quickly. Also, plural /-z/ must be voiced, not devoiced, and not fused with the /ənz/.
Focus on the sequence /ˈstræk.ʃənz/: the /æ/ is a bright, open front vowel; avoid a dull /æ/ and avoid turning /tʃ/ into /ʃ/ or /tʃ/. Practice with a spooning motion of the jaw: jaw drops to position for /æ/, then the tongue edges up to create /tʃ/ without rearticulation time, finishing with a crisp /ənz/. This helps prevent a lilt or a softening of the /str/ blend.
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- US: emphasize rhoticity lightly; keep /r/ small and not overshadowing the /æ/. - UK: non-rhotic; the /r/ is silent when not before a vowel; ensure the /æ/ remains bright even without rhotic influence. - AU: mid-level rhotic insight; maintain a crisp /tʃ/ and a circular mouth shape for /ʃ/. - Vowels: /ɪ/ in the first syllable should be short; /æ/ in /ˈstræk/ should be bright; final syllable /ənz/ should be quick, with a short schwa. - IPA references: /dɪˈstræk.ʃənz/, listen for the contrast between /æ/ vs /eɪ/ in similar words like 'distract' vs 'distracted'. - Register: neutral, conversational form; business or academic contexts keep the same core pronunciation; avoid adding extra vowels in the middle. - Flow: keep streamlined pace; avoid trailing vowels that make the word feel elongated.
Distractions comes from the verb distract, from Latin distractus, past participle of distrahere ‘to pull apart, distract.’ The prefix dis- conveys separation or removal, while trahere means ‘to pull.’ The noun form distraction emerged in English in the 15th century, originally meaning a pulling away of mind or attention. Over time, it broadened to include anything that diverts the mind from a task or goal, including external stimuli (noise, notifications) or internal preoccupations (worries). The term now frequently appears in psychology and productivity discourse, often paired with strategies to improve attention and reduce cognitive load. First known usage in English traces to late Middle English literature, with earlier Latin roots evident in academic treatises that described mental diversion and attentional shift. The sense evolved from literal pulling apart to metaphorical pulling attention away, reflecting an increasing emphasis on cognitive control in modern work and study environments.
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Words that rhyme with "distractions"
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