3 syllables: dis, son, ance. Stress on dis.
DIS-uh-nuhns
/ˈdɪsənəns/
dissonance is pronounced DIS-uh-nuhns (/ˈdɪsənəns/). It has three syllables (dis-son-ance), with the stress on "dis". Dissonance is a lack of harmony or agreement, often describing conflicting sounds, ideas, or opinions. In music, it refers to combinations of tones that feel unstable or tense, needing resolution. The term conveys tension, discord, or contradiction, and is commonly used in criticism, psychology, and aesthetics.
Dissonance is a lack of harmony or agreement, often describing conflicting sounds, ideas, or opinions. In music, it refers to combinations of tones that feel unstable or tense, needing resolution. The term conveys tension, discord, or contradiction, and is commonly used in criticism, psychology, and aesthetics.
"The orchestra produced a dissonance that unsettled the audience before the final chord resolved."
"There was a social dissonance between the committee’s goals and its actual practices."
"The novel uses dissonance in the narrative to mirror the protagonist’s inner turmoil."
You say di-SSON-ance with the primary stress on the second syllable. IPA: US/dɪˈsɒnəns/, UK/dɪˈsɒnəns/, AU/dɪˈsɒnəns/. Start with a short 'di' /dɪ/, then a stressed 'son' /ˈsɒn/, and finish with 'ance' /əns/. Quick tip: keep the 's' soft and avoid overemphasizing the second syllable—let the 'son' carry the emphasis and flow to 'ance.'
Common errors: misplacing stress (stressing the first syllable: DIssonance); mispronouncing the 'si' as /si/ instead of /sɒ/ in many dialects; dropping the final /-ns/ or adding an extra syllable. Correction: pronounce as /dɪˈsɒnəns/ with a light, unstressed ‘e’ sound in the second half and ensure the final /-ns/ is crisp, not merged with the preceding vowel. Practice by saying ‘dis-SON-ance’ in a steady rhythm, then blend to ‘dissonance’ without a pause between syllables.
In US and UK, the first syllable is unstressed and pronounced with a short /ɪ/; the key is a clear /ˈsɒ/ in many dialects, but rhotic vs non-rhotic accents don’t alter the /ɒ/ in many British accents. Australian tends to align with /dɪˈsɒnəns/ but may have slightly broader vowels and less rhoticity in some speakers, giving a softer /ɒ/ and a clipped final /ns/. Overall, stress placement remains on the second syllable across these variants.
The challenge lies in the conjunction of a stressed central vowel cluster /ˈsɒn/ with a final nasal consonant cluster /-ns/. The sequence /s/ + /n/ in rapid speech can blur, and the /ɒ/ in many dialects is a rounded low vowel that requires precise jaw position. Also, the unstressed first syllable /dɪ/ can become reduced toward /də/ in fast speech, which can subtly shift the accenting pattern and timing.
The word’s tricky feature is the combination of a stressed syllable with the silent-ish cadence of -ance endings. The ending /əns/ is not the same as a simple -ance in all contexts; ensure the final /n/ is crisp and not swallowed. In careful speech, you’ll hear a short, clean /əns/ after the /ˈsɒ/ vowel—practice by isolating ‘son’ and then adding a clear /əns/ tail.
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Dissonance comes from the Latin dissonantum, from dis- ‘not, opposite of’ + sonare ‘to sound,’ from Proto-Indo-European root sou- ‘to sound.’ The adjective dissonant entered English in the 15th century via Old French dissonant. Historically, the term grew in musical theory during the Renaissance and Baroque periods as composers formalized consonance and dissonance, distinguishing stable intervals from tense ones. By the 18th and 19th centuries, dissonance broadened to describe ideological or perceptual conflict beyond music, appearing in psychology and philosophy to denote cognitive or perceptual incongruity. First known uses appear in scholastic and musical treatises, evolving toward modern usage that captures both audible and conceptual discord in art, science, and everyday discourse.
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Words that rhyme with "dissonance"
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