4 syllables: de, so, la, tion. Stress on la.
des-uh-LAY-shuhn
/ˌdɛsəˈleɪʃən/
desolation is pronounced des-uh-LAY-shuhn (/ˌdɛsəˈleɪʃən/). It has four syllables (de-so-la-tion), with the stress on "la". Desolation refers to a state of emptiness or destruction, often describing a landscape or mood that is barren and forlorn. It can also denote the process of making something lonely or ruined. The term carries a strong sense of abandonment and despondence, historically tied to ruin and desolate spaces or conditions.
Desolation refers to a state of emptiness or destruction, often describing a landscape or mood that is barren and forlorn. It can also denote the process of making something lonely or ruined. The term carries a strong sense of abandonment and despondence, historically tied to ruin and desolate spaces or conditions.
"The aftermath of the fire left the town in desolation, with charred remains and silence."
"Her voice sounded flat, a desolation that matched the empty room."
"The expedition faced desolation as supplies dwindled and hope faded."
Pronounced deh-SOL-ay-shn. The primary stress is on the second syllable: /ˌdɛsəˈleɪʃən/. Break it as de-so-LA-tion, with the middle syllable of a soft schwa; the final -tion is typically /ən/ in connected speech. Start with /d/ + /ɛ/ (as in bed), then /s/ + /ə/ (unstressed), then /l/ + /eɪ/ (long a), then /ʃ/ + /ən/ (shun). Try to keep the /ə/ sound light in the second syllable and the /eɪ/ as a crisp diphthong.
Two common errors are misplacing the stress on the first syllable (de-SO-la-tion) and reducing the /eɪ/ to a short /e/ sound (des-uh-LAY-shən). Focus on lifting the /eɪ/ into a clear diphthong in the third syllable and ensuring the /l/ isn’t glossed over. Another pitfall is over-articulating the final -tion as /tɪən/ instead of the natural /-ʃən/; aim for the /-ʃən/ ending. Practicing with slow, deliberate syllable boundaries helps cement the correct rhythm.
In US English, you’ll hear /ˌdɛsəˈleɪʃən/ with rhoticity; the /ɹ/ is not present in this word, but the vowel in /leɪ/ is clear and tense. UK English also uses /ˌdɛsəˈleɪʃən/ but with non-rhoticity; the r-like quality is absent, and the first /ə/ tends to be slightly more centralized. Australian English resembles UK in non-rhoticity, but vowel qualities can be flatter, with /eɪ/ often realized as a slightly shorter or more centralized diphthong. Overall, the main differences lie in vowel quality and rhoticity; the syllable count and stress pattern remain constant. Listen for the /ˈleɪ/ diphthong and the final /ʃən/ cluster across accents.
The difficulty comes from the combination of a stressed secondary vowel sequence and a tricky final -ation ending. The /ˌdɛsə/ prefix with a schwa onset can blur if you’re not separating syllables, and the /eɪ/ diphthong in /leɪ/ can shift in fast speech. Another challenge is maintaining the /ʃən/ ending without turning it into /ən/ or /tʃən/. Practically, you need clear tongue positioning: a light diphthong in the /eɪ/ portion, a sharp /ʃ/ before a syllabic /ən/. Slow practice helps your mouth fix the rhythm and prevent connected speech slurring.
The sequence deso- induces a subtle hiatus between / ə / and / s /; this can tempt you to link sounds and flatten the schwa. The tricky piece is the -ation ending, where many non-native speakers default to /-eɪʃən/ or /-eɪtʃən/; in careful pronunciation it’s /-leɪʃən/ with the /ɪ/ kept soft as a reduced vowel before the /ʃ/. Keep the nucleus of the second syllable light, and land the /leɪ/ as a clean diphthong before the /ʃən/.
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Desolation derives from the Latin desolatio, from desolare “to abandon, to forsake,” which itself combines de- (down, away) + solus (alone). The Old French desolation entered English in the 13th–14th centuries, initially signaling physical ruin or abandonment and gradually extending to emotional and moral emptiness. The form desolate, originating earlier, shares the root and broadened through Middle English to include ‘solitary’ and ‘devastated’ senses. The noun desolation gained prominence in literary and religious texts, often linked to apocalyptic or ruinous landscapes. Over time, desolation came to encapsulate not only physical destruction but also psychological despondency—an emptiness of spirit that follows calamity. First known uses surface in medieval religious writings that describe spiritual desolation, later appearing in Romantic and Victorian literature to convey lonely, ruined settings and emotional numbness. In modern usage, desolation commonly coexists with adjectives like total, utter, or absolute, reinforcing its extreme sense of emptiness or ruin.
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Words that rhyme with "desolation"
-ion sounds
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