3 syllables: de, cep, tive. Stress on cep.
dis-EP-tiv
/dɪˈsɛptɪv/
deceptive is pronounced dis-EP-tiv (/dɪˈsɛptɪv/). It has three syllables (de-cep-tive), with the stress on "cep". Deceptive describes something intended to mislead or create a false impression. It characterizes acts, statements, or appearances that are deliberately designed to deceive, often by masking truth or exaggerating uncertainty. The term can apply to people, strategies, or signals that lure others into false conclusions, typically with a covert or ambiguous aim.
Deceptive describes something intended to mislead or create a false impression. It characterizes acts, statements, or appearances that are deliberately designed to deceive, often by masking truth or exaggerating uncertainty. The term can apply to people, strategies, or signals that lure others into false conclusions, typically with a covert or ambiguous aim.
"The marketing campaign was deceptive, making the product seem vastly better than it actually was."
"Her calm, confident demeanor was deceptive, hiding her anxiety."
"A deceptive gloss on the data concealed the underlying risks."
Pronounce as /dɪˈsɛp.tɪv/ (US/UK/AU share the same IPA here). Emphasize the second syllable: de-CEP-tive. Start with a short, relaxed /d/ release, then /ɪ/ (as in kit), then /ˈsɛp/ with a crisp /s/ and the short /e/ like “pet,” ending with /tɪv/ where the /t/ is clean and the final /v/ is voiced. Imagine ‘de-sep-tive’ with a strong middle emphasis; you’ll hear the contrast between the first and stressed syllable clearly.
Common errors: 1) Misplacing the stress, saying de-CEP-tive with weak second syllable stress. 2) Slurring /t/ into /v/ or mispronouncing /tɪv/ as /tɪf/. 3) Vowel quality issues in /ɪ/ and /e/—pronounce /ɪ/ as a short, lax vowel and /ɛ/ as in ‘pet’ rather than a lax or clipped vowel. Correct by alternating deliberate syllable tokens: de - CEP - tive with crisp consonants and equal rhythm. Practice slow, then normalize while maintaining the clear second-syllable stress.
In US/UK/AU, the core IPA /dɪˈsep.tɪv/ stays the same for the syllable with stress on /ˈsep/. Differences are minimal, mainly in vowel quality: US /ɪ/ sometimes a tad tenser; UK speakers may sound slightly shorter or clipped in rapid speech; Australian accents can feature a more centralized /ɪ/ and a non-rhotic /r/ environment (though deceptive has no rhotic r). The main audible cue is the intensity and duration of the stressed /sep/ syllable, with slight vowel sharpening or smoothing by region.
Two main challenges: 1) The mid-stress on /ˈsep/ requires maintaining clear separation between /sep/ and the following /tɪv/ while keeping a natural rhythm. 2) The /v/ ending after a /t/ can be fluent if you don’t stop the airflow; ensure voice continues through the /v/. Tips: exaggerate the middle syllable slightly in practice, then taper to natural speed. Practice with minimal pairs to fix vowel and consonant transitions, and use a mirror to monitor lip and tongue positions.
No. The second syllable contains a clear /e/ as part of /sep/ and the final -ive is pronounced as /tɪv/. The 'e' in this word is not silent; it contributes to the /sep/ vowel sound and the open-mid front vowel quality in /ɛ/. Mispronunciations often stem from blending syllables too quickly, so maintain a distinct /sep/ before the final /tɪv/ to preserve the word’s correct vowel structure.
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Deceptive derives from the Latin deceptivus, from decipere, meaning to deceive or trick. Decipere combines de- (away, completely) with capere (to take; seize), literally describing the act of taking someone away from the truth. The noun deception shares the same root, and in English it broadened to cover both object-based deception (a deceptive tactic) and quality-based deception (deceptive appearance). The word entered English via Old French and Latin influence, with attestations appearing in the early modern period as legal and rhetorical terms to describe misrepresentation. Over time, deceptive developed a specialized sense in law, psychology, and everyday discourse to denote not just falsehood, but a quality or feature designed to mislead. Its usage expanded alongside concerns about honesty, propaganda, and performance-based rhetoric, solidifying its role as a descriptor for both intent and effect in communication and strategy.
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Words that rhyme with "deceptive"
-ves sounds
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