3 syllables: dam, na, tion. Stress on na.
dam-NAY-shuhn
/dæˈmneɪʃən/
damnation is pronounced dam-NAY-shuhn (/dæˈmneɪʃən/). It has three syllables (dam-na-tion), with the stress on "na". Damnation is the act or process of condemning someone to eternal punishment or misfortune. In broader usage, it denotes strong censure or a state of ruin. The term carries formal, sometimes theological, overtones and can appear in literature or rhetoric to emphasize moral judgment or fate.
Damnation is the act or process of condemning someone to eternal punishment or misfortune. In broader usage, it denotes strong censure or a state of ruin. The term carries formal, sometimes theological, overtones and can appear in literature or rhetoric to emphasize moral judgment or fate.
"The villagers spoke of damnation lurking in the old church's cellar."
"He feared eternal damnation for his deeds, despite his efforts to confess."
"The novel portrays temptation as a path to damnation and moral downfall."
Pronounce it as dahm-NAY-shun, with primary stress on the second syllable. IPA: US/UK/AU /dæmˈneɪ.ʃən/. Start with a clear d sound, short a as in 'cat,' then the stressed 'NAY' vowel, followed by a light 'shən' ending. Mouth opens for the a, the tongue closes slightly for /n/ and /eɪ/ glides into /ʃ/.
Common errors include stressing the first syllable (daM-NAY-shun) and mispronouncing /ˈneɪ/ as a short /æ/ or /eɪ/ confusion with ’damn-ation’ vs ’damn-ayshuhn.’ Another pitfall is linking the /n/ and /j/ into an awkward /nj/ cluster. Correct by keeping primary stress on the second syllable, using /neɪ/ as a long vowel, and ensuring the /ʃən/ ending is crisp and not reduced.
In US/UK/AU, the core is /dæmˈneɪ.ʃən/. US speakers may slightly reduce the final /ən/ to a light schwa, while UK and Australian speakers may keep a clearer /ən/ or a lightly reduced final syllable. Rhoticity is not a major factor here, but vowel quality can be subtly more rounded in some UK accents. Overall, the nucleus /neɪ/ remains stressed and prominent across all three.
The difficulty lies in the two-part nucleus: the unstressed first syllable /dæm/ followed by a strong secondary nucleus /ˈneɪ/ and the final /ʃən/. The /neɪ/ diphthong and the /ʃ/ blend require precise tongue position and smooth transition. Beginners often misplace the stress or collapse /neɪ.ʃən/ into /neɪʃən/ or mispronounce /ˈneɪ/ with a tense jaw. Practice by isolating the diphthong and rehearsing the syllable boundary.
Unlike shorter words with a single stressed syllable, damnation has a secondary rise in the mid syllable due to /ˈneɪ/. The presence of /m/ before the vowel, the /æ/ vs /ə/ choices in fast speech, and the final /ʃən/ require careful articulation. Also, the second syllable’s /neɪ/ can invite vowel length variation depending on speaker pace. Keep the /m/ immediately before the stressed /neɪ/ for correct rhythm.
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Damnation derives from the Latin damnatio, from damnare meaning 'to condemn, doom, or condemn as unworthy.' The root damn- conveys condemnation, with the suffix -atio forming abstract nouns indicating an action or process. The word entered English via Old French damner/damnacion before solidifying in Middle English as damnation. The religious sense—eternal punishment for sins—dominates most modern uses, though the term can also denote moral or social ruin in secular contexts. Early uses appear in theological treatises and translations from Latin into Old French and English during the medieval period, reflecting the Christian framework of sin, judgment, and divine punishment. Over time, the word broadened in secular literature, retaining its formal tone while sometimes functioning as hyperbolic language for severe consequences or condemnation. By the 17th–19th centuries, damnation appeared in drama and prose to convey existential peril and moral certainty, often as a thematic counterpoint to salvation or redemption.
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Words that rhyme with "damnation"
-ion sounds
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