2 syllables: dam, aged. Stress on dam.
DAM-uhjd
/ˈdæmədʒd/
damaged is pronounced DAM-uhjd (/ˈdæmədʒd/). It has two syllables (dam-aged), with the stress on "dam". Damaged describes something harmed, broken, or impaired, often due to external force or stress. It conveys a state rather than the action itself, and is commonly used in contexts like property, objects, or reputation. The term implies lasting or significant impairment, not merely superficial wear. In everyday use, it frequently appears in legal, insurance, or casual evaluative language.
Damaged describes something harmed, broken, or impaired, often due to external force or stress. It conveys a state rather than the action itself, and is commonly used in contexts like property, objects, or reputation. The term implies lasting or significant impairment, not merely superficial wear. In everyday use, it frequently appears in legal, insurance, or casual evaluative language.
"The storm left several damaged roofs and flooded basements."
"Her reputation was damaged by the leaked report."
"The package arrived damaged, with the contents visible through the torn box."
Pronounce da·maged as /ˈdæ.mɪdʒd/. It’s two syllables with primary stress on the first: DA-mage-d. The middle is a short /mɪ/ vowel, and the ending blends into a /dʒ/ sound plus a final /d/ due to the historical -ed spelling. In careful speech you’ll hear a light extra syllable at the end: DA-mi- džd. Mouth position: lips relaxed, start with a low-open front vowel, then a light /m/ bilabial closure, /ɪ/ as a short front vowel, and end with /dʒd/ produced by tongue lightly touching the post-alveolar region before releasing into /d/. Audio references: consult pronunciation dictionaries for standard IPA cues.”,
Common mistakes include: 1) Flattening the /æ/ to a more neutral schwa, which weakens the initial beat; 2) Dropping the /dʒ/ at the end or mispronouncing it as /dʒ/ blending too quickly into the final /d/; 3) Pronouncing as two syllables DA-MAJ instead of DA-MA-ʤD. Correction: keep the first syllable crisp with /æ/, ensure the middle uses a short /ɪ/ before the affricate, and deliver the ending as /dʒd/ with the tongue tip at the post-alveolar ridge; lightly release to produce the tiny fricative before the final /d/. Practice with slow drills: DA-mɪdʒd.”,
Across accents, the primary difference lies in rhoticity and vowel quality. In General American, /ˈdæ.mɪdʒd/ with rhotic r coloring not present in this word (no R). In UK English, vowels are similar but some speakers make the /æ/ slightly tenser and the /ɪ/ in the second syllable shorter; final /dʒd/ remains. Australian English share American-like rhotic absence and a slightly more centralized /ɪ/ and broader /æ/. Variation is subtle, but you may notice differences in the /æ/ diphthong strength and the flapped vs. clipped final consonant; overall the word preserves the two-syllable rhythm and the /dʒ/ cluster at the end.”,
The challenge comes from the consonant cluster at the end: /dʒd/ after a short vowel, which demands precise timing and tongue positioning at the post-alveolar ridge. The transition from the vowel /ɪ/ to the affricate /dʒ/ then to the final /d/ is rapid in fluent speech, so many learners insert an extra vowel or split the ending. Mastering the mouth sequence—front vowel, mid/low /æ/, then the /dʒ/ release followed by /d/—and keeping the energy consistent across the syllables makes it easier to maintain natural rhythm.”,
A key feature is the two-syllable rhythm with a tight ending /dʒd/. Pay attention to the moment of contact for /dʒ/—the tongue briefly rises to the post-alveolar region, then releases into /d/. Keep the /æ/ clear and short in the first syllable, avoiding a prolonged diphthong. Practicing with minimal pairs that differ in final consonant (e.g., mad vs. damage) can sharpen the sense of where the /dʒ/ lands in your mouth. Recording yourself helps confirm you’re ending with a crisp /d/ after the /dʒ/.”}],
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Damaged comes from the verb damage, fashioned in English in the 16th century from the Old French domage (modern French dommage) meaning ‘injury, damage, loss’ or ‘to harm.’ The root is Latin damnum, meaning ‘loss or injury,’ which also gives us words like damage, dommage, and damage-related terms across Romance languages. The suffix -ed marks the past participle or adjective form in English. Over time, damaged broadened from legal and physical injury contexts to general wear, defect, or impairment in objects, systems, or abstract domains (e.g., damaged nerves, damaged reputation). The nuance shifted from acute injury to more general degradation, including consumer goods, electronics, and infrastructure. First known uses in Middle English appear in texts discussing liability and harm; by the 17th to 19th centuries, damaged had become standard in everyday usage to describe harm to objects as well as metaphorical damage. Today, damaged remains a flexible descriptor across technical, insurance, and colloquial registers, often implying measurable or demonstrable impairment, sometimes with a sense of preventability or cause.
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Words that rhyme with "damaged"
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