2 syllables: Cou, dé. Stress on dé.
koo-DAY
/kuːˈdeɪ/
Coudé is pronounced koo-DAY (/kuːˈdeɪ/). It has two syllables (Cou-dé), with the stress on "dé". As a verb, coudé is a French verb meaning to bend or tilt something, especially to apply a tilt or bevel. In English-language contexts it may appear in specialized or literary usage, often describing a deliberate angle. The term conveys precise, intentional positioning rather than ordinary orientation, and is frequently encountered in technical, architectural, or design discussions.
verbCoudé is a French verb meaning to bend or tilt something, especially to apply a tilt or bevel. In English-language contexts it may appear in specialized or literary usage, often describing a deliberate angle. The term conveys precise, intentional positioning rather than ordinary orientation, and is frequently encountered in technical, architectural, or design discussions.
How to Pronounce Coudé
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"The architect coudé the railing to align with the sloping roof."
"In sculpture, he coudé the wingtips of the bronze blade to balance the piece."
"The adviser suggested to coudé the line of the handle for better ergonomics."
Pronounce as /kuːˈdeɪ/. The first syllable is a long 'oo' sound like 'coo', followed by a stressed second syllable 'day' with a clear terminal vowel. The accent falls on the second syllable. Mouth positioning: start with a rounded lips for /uː/, then glide into a crisp /d/ with the tongue contacting the alveolar ridge, and finish with /eɪ/ as in 'say'. Listen for a French-influenced final vowel; avoid turning it into /də/ or /duː/.
Common errors include shortening the second syllable to a dull /də/ or misplacing the stress as /kuːˈde/ instead of /kuːˈdeɪ/. Another mistake is pronouncing the final /eɪ/ as /ɛ/ or /ɪ/ due to English vowel variation; keep it a clear /eɪ/. Finally, some speakers nasalize the /uː/ or insert an extra syllable. Correct by practicing the full two-syllable flow: /kuː-ˈdeɪ/ with precise mouth positions, avoiding premature vowel reduction.
In US English, you maintain /kuː-ˈdeɪ/ with a clear /uː/ and final /eɪ/. In UK English, the /uː/ tends to be slightly closer to /uː/ but may blend with non-rhotic tendencies; the /deɪ/ part remains; stress stays on the second syllable. Australian English mirrors US/UK patterns but can feature a slightly more centralized /ə/ in rapid speech; ensure the second syllable retains /eɪ/. Across all, the key is preserving the diphthong in the final syllable and not reducing it.
Difficulties arise from the French-origin final vowel /eɪ/ represented in English as a diphthong, plus maintaining the two-syllable rhythm under a stressed second syllable. Speakers might misplace stress, soften the final vowel, or mispronounce /uː/ as /ʊ/ or /oʊ/. The tongue must move from a high back position for /uː/ to a mid-front position for /eɪ/, with precise alveolar contact for /d/. Mastery requires deliberate practice with the diphthong and final vowel.
A distinctive feature is the stress contrast on the second syllable and the pronounced final /eɪ/ that signals the French-origin accent, differentiating it from a potential /kuːˈdoʊ/ or /kuːˈdə/ variant. This explicit final /eɪ/ helps listeners identify the loanword and its precise, beveled meaning. Ensure the /d/ is a clear alveolar stop and not a softened /l/ or /n/ substitution; the mouth should transition quickly from /uː/ to /deɪ/.
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Coudé derives from the French participial form coudé, from coucher meaning to lay down, cover, or tilt. The verb is built on the root coucher (to lay down) plus the past participle suffix -é, reflecting a completed action. In French, coudé often describes edges or shapes that have been bevelled or angled, as in “coudé d’une boîte” (beveled corner). The term entered English scholarship and design vocabulary through direct borrowing, especially in the 19th and 20th centuries, when architects and engineers adopted precise French terminology to describe angular features. Historically, similar words in French—coûter (to cost) and cusp, from Latin cuspis (point)—show how geometric language circulated among scholars and artisans. First known usage in English appears in technical literature where precision geometry and beveling were discussed, with coudé indicating an intentional, non-vertical alignment. Over time, the term retained its nuance of deliberate angling rather than random orientation, contributing to its specialized appeal in architecture, sculpture, and ergonomic design contexts.
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Words that rhyme with "Coudé"
-oud sounds
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