2 syllables: con, tacts. Stress on con.
KAHN-takts
/ˈkɑˌntækts/
contacts is pronounced KAHN-takts (/ˈkɑˌntækts/). It has two syllables (con-tacts), with the stress on "con". Contacts (plural noun or verb form) refers to people or organizations you know or interact with, or to the act of touching or contacting something. In usage as a noun, it denotes acquaintances or business connections; as a verb, it means to touch or communicate with. The pronunciation stays the same in both senses, but the word’s stress and surrounding rhythm adapt to sentence position.
Contacts (plural noun or verb form) refers to people or organizations you know or interact with, or to the act of touching or contacting something. In usage as a noun, it denotes acquaintances or business connections; as a verb, it means to touch or communicate with. The pronunciation stays the same in both senses, but the word’s stress and surrounding rhythm adapt to sentence position.
- You might insert an extra vowel between the /t/ and the final /s/, pronouncing it like /-tæks-ɪz/; instead, keep the cluster tight: /-tæks/. - Some speakers pronounce the second syllable as /-tæk/ with a long vowel; aim for a short, crisp /æ/ followed by a quick /t/ and /s/. - In rapid speech, the first syllable can get a reduced vowel or be swallowed; practice keeping /ˈkɒn/ clearly stressed. - Failing to maintain the /t/ release before /s/ makes it sound like /-tas/ or /-tas/; ensure a full but not delayed /t/ release.
"- I saved several new contacts in my phone after the networking event."
"- She reached out to contacts in the industry for collaboration."
"- The phone’s screen sometimes misreads when contact is made."
Pronounce as /ˈkɒn.tækts/ in US/UK/AU. Start with a stressed 'CON' syllable: /ˈkɒn/. The second syllable is a short /tækt/ with a clear /t/ plus an /s/ at the end producing /-tsts/ in connected speech: many speakers merge to /-tks/ or /-ts/. Keep the /n/ light, the /t/ crisp, and avoid adding an extra vowel before the final /s/. In careful reading, you’ll hear a two-beat rhythm: CON-tacts.
Common mistakes: 1) Slurring to /ˈkɒn.tæks/ with a short /æ/ in the second syllable. Correction: use a brief /æ/ as in cat, but avoid post-alveolar vowel shortening. 2) Releasing the final /s/ as a separate syllable (/ˈkɒn.tæk.s/) instead of the cluster /-tɪks/; practice closing the final /t/ into the /s/ producing /-tsts/. 3) Flattening the first vowel to a lax /ɪ/ or /ə/; keep /ɒ/ or /ɑ/ depending on accent. Practice with minimal pairs Con- vs Cun- to internalize the tense, rounded back vowel.
Across accents, primary difference is vowel quality of the first syllable and the final consonant cluster. US/UK/AU share the initial /ˈkɒn/ but in some American dialects the /ɒ/ may approach /ɑ/ more openly. The final cluster /tæks/ can be /tæks/ or /tækts/; non-rhotic accents may drop r-like coloring, but here rhotics aren’t present. Australian variants often retain a closer to /ɒ/ and may reduce the /t/ slightly in rapid speech, yielding /ˈkɒn.tæks/ with a very crisp final /s/. Overall, the stress pattern remains on the first syllable in all these varieties.
The difficulty lies in the final consonant cluster /tks/ after a short, closed first syllable, which requires precise tongue movement to avoid an intrusive vowel or an unclear /s/. Another challenge is maintaining the correct short, tense vowel in the second syllable (/tækt/), not lengthening it. In connected speech, speakers often assimilate the /t/ and /s/ into /tst/ or /ts/; practice helps you produce a clean final cluster and avoid vocalic intrusion.
A unique aspect is the tendency to compress the final consonant cluster in rapid speech, which can yield /-tsts/ sounding like /-tsts/ or /-tks/ depending on the speaker. Pay attention to the exact timing: keep the /t/ release tight before the final /s/, avoiding a lingered /s/ or a separate vowel. This affects naturalness in both noun and verb senses, especially in fast dialogues.
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- US: Pronounce with rhotic neighbors, maintain /ɒ/ or /ɑ/ depending on the region; avoid curling the tongue. The /t/ should be a crisp, explosive release before /s/. - UK: Non-rhoticity means /ˈkɒn.tækts/ with potential very slight vowel length differences; keep /ɒ/ rounded, and avoid trailing r-color in final syllable. - AU: Similar to UK but with more fronted vowel tendencies; keep /ɒ/ close to /ɔ/; final cluster remains tight with a crisp /t/ before /s/.
The word contacts derives from the Latin contactus, from contingere “to touch, come into contact with,” formed from com- “together” + tangere “to touch.” In English, contact appeared in the 14th century with senses of touching or connection. The plural contacts emerged to denote multiple instances of contact or multiple people one knows, shifting from the notion of a single touching event to a collection of touchpoints or relationships. The noun sense “people one knows” aligns with the broader network lexicon that developed in the modern era, particularly as trade and social networks expanded. In the 19th and 20th centuries, contact gained prominence in business and telecommunications to describe leads, clients, and social networks, while the verb sense retained the core “to touch or communicate with.” The orthography preserves the root ct- sequence, which has remained stable despite shifts in pronunciation across dialects. Today, “contacts” functions in both professional networking and everyday language, with pronunciation closely tied to the plural form of “contact.” First known use in print traces back to Middle English, with established usage in legal and commercial contexts by the 1500s, progressively widening to personal and technological domains by the 20th century.
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Words that rhyme with "contacts"
-cts sounds
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