3 syllables: con, struc, tions. Stress on struc.
kuhn-STRUHK-shuhnz
/kənsˈtɹʌkʃənz/
constructions is pronounced kuhn-STRUHK-shuhnz (/kənsˈtɹʌkʃənz/). It has three syllables (con-struc-tions), with the stress on "struc". Constructions refers to things that have been built or devised, especially structures, frameworks, or organized plans. In grammar, it can denote syntactic formations or phrases assembled to convey meaning. The term often appears in technical, architectural, or theoretical discussions about how elements are put together.
Constructions refers to things that have been built or devised, especially structures, frameworks, or organized plans. In grammar, it can denote syntactic formations or phrases assembled to convey meaning. The term often appears in technical, architectural, or theoretical discussions about how elements are put together.
- Confusing the vowel in the stressed syllable: avoid a lax /ɪ/; use /ʌ/ as in 'struck'. - Weakening the /str/ cluster: ensure you articulate the /s/ then /t/ promptly and together with the /r/; don’t let it sound like /stɹ/ with a long onset. - Ending mispronunciations: avoid turning /ənz/ into /ənzɪ/ or /ənz/; aim for /-ənz/ with a clear /z/. - Actionable tips: practice the key vowel and consonant transitions, record yourself, compare with a native speaker, and adjust tempo to keep the rhythm tight.
"The architect reviewed several constructions for the new bridge before choosing a design."
"Her analysis uncovers the social constructions that shape our perceptions of reality."
"The engineer documented multiple constructions to compare stability under stress."
Pronounce as /kənˈstrʌk.ʃənz/. The stress falls on the second syllable: con-STRUC-tions. Start with a reduced /kən/ followed by /ˈstrʌk/ (the same rhythm as 'struck'), then a final /-ʃənz/ with a light, unstressed schwa before the final z sound. Mouth: lips neutral, tongue high-mid for /ˈstrʌk/, final /ʃənz/ uses a gentle /ən/ and a clear /z/ at the end. You’ll hear the tense /ʌ/ in the stressed syllable, then a rapid, lighter ending.
Two common errors: (1) misplacing stress, saying con-STRUCK-tions or con-struc-TIONS; keep the primary stress on the second syllable. (2) over-expanding the final -tions to -tions as /tɪənz/ or adding extra syllables; keep the final as /ʃənz/. Also watch for pronouncing /str/ cluster too lightly, which reduces clarity; ensure a strong /str/ onset after the initial /kən/ and maintain the /ʃ/ at the end.
In US and UK, the core /kənˈstrʌk.ʃənz/ is similar, but you’ll notice rhoticity: US speakers often produce a more pronounced /r/ in nearby words, while UK typically has non-rhotic linking—less r-sound in coda positions. The vowel in /ʌ/ may be slightly more centralized in UK, and Australian speakers might have a rounded or flatter /ɐ/ in some environments. The /tʃ/ stays consistent; ensure the /str/ cluster is crisp in all accents.
Because it combines a strong consonant cluster /str/ after a reduced syllable /kən/, then a sibilant /ʃ/ before a voiced /ənz/ ending. The transition from /kən/ to /strʌk/ requires precise timing; many learners insert extra vowels, which blurs the rhythm. Also the final /z/ is voiced after a stressed syllable; keeping voicing and nerve in the /ʃənz/ portion is essential for naturalness.
In fast speech, the ending /t/ is often not fully audible; the sequence /k.ʃənz/ tends to be realized as a palatalization with a quick /tʃ/ blending into /ənz/. Some speakers may reduce to /kənˈstrʌk.ʃənz/ without fully articulating a standalone /t/. The most important point is the /ʃ/ before the schwa and the final /z/; keep them distinct enough to sound like a plural ending.
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- US: pronounce the stressed /ˈstrʌk/ with a crisp /t/ release, then a tongue-relaxed /ɪ/ in the unstressed portion before /ənz/. US rhotic influence may give a slightly heavier /ɹ/ in surrounding words; keep the /r/ clear if it occurs in connected speech. - UK: keep the /ɜː/ or /ʌ/ quality in the stressed syllable more centralized; often monophthongal /ɜː/ in regional accents, and avoid an overly rounded /ɔː/. Non-rhotic: fewer linking r sounds; focus on a clean /str/ transition. - AU: tends to have flatter vowel space and more centralized /ə/ in unstressed positions; ensure the /str/ cluster remains precise and the final /z/ is voiced but not overly elongated. IPA references: US /kənˈstrʌk.ʃənz/, UK /kənˈstrʌk.ʃənz/, AU /kənˈstrʌk.ʃənz/.
Constructions comes from the Latin constructio, from the verb construere meaning to pile up, heap, or build together. The root subpart con- means “with, together,” and sternere means “to spread, lay down.” The word entered English via Old French construction and Latin/Occitan routes, with early senses tied to building or assembling. By the 15th century, construction broadened to refer to the act of building as well as the structure itself. In modern usage, it includes architectural builds, mechanical assemblies, and figurative formations in language and social theory. The term often collocates with project, design, theory, and system, reflecting its dual literal and metaphorical sense of putting elements together to create a coherent whole. The plural constructions is common in both technical and academic discourse, indicating multiple instances of building, creating, or forming complex configurations.
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Words that rhyme with "constructions"
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