2 syllables: com, pose. Stress on pose.
kuhm-POHZ
/kəˈmpoʊz/
compose is pronounced kuhm-POHZ (/kəˈmpoʊz/). It has two syllables (com-pose), with the stress on "pose". Compose means to create or produce something, especially a written work, piece of music, or arrangement. It can also mean to calm or settle one’s mind, or to compose oneself before acting. The term emphasizes deliberate construction, organization, and synthesis of parts into a coherent whole.
Compose means to create or produce something, especially a written work, piece of music, or arrangement. It can also mean to calm or settle one’s mind, or to compose oneself before acting. The term emphasizes deliberate construction, organization, and synthesis of parts into a coherent whole.
"She will compose a short essay about her research findings."
"The orchestra began to compose itself as the conductor raised his baton."
"He started to compose a letter, choosing each word with care."
Pronounce it as kəm-POSE. Primary stress on the second syllable: /kəmˈpoʊz/ in US and UK. The first syllable is a reduced /kə/ or /kəm/, then the stressed /poʊz/ with a long O diphthong. Mouth position: start with a relaxed /k/ closure, /ə/ reduced vowel, then lip rounding for /oʊ/ and final /z/. For audio reference, imagine saying ‘come’ plus ‘pose’ with stress on pose: kəm-POSE. IPA: US /kəmˈpoʊz/, UK /kəʊmˈpəʊz/ (note: UK often renders with slightly different middle vowel quality), AU /kəmˈpəʊz/.
Common mistakes: (1) Stress on the first syllable (KOM-pose) due to misplacing emphasis; this changes meaning in English. (2) Slurring the /m/ into the /k/ cluster creating /kɒmˈpoʊz/ or mispronouncing the first syllable as /kəm/ instead of /kə/. (3) The final /z/ can be devoiced to /s/ in careful speech; ensure your vocal fold vibration. Correction tips: keep a light, quick /ə/ in the first syllable, emphasize the /poʊz/ with a clean /z/ voice; practice with minimal pairs like “compose/compose” (note: “compose” is rare; use as a drill for stress), and record to verify voicing in /z/.
US usually /kəmˈpoʊz/, fully voiced final /z/. UK often /kəˈpəʊz/ or /kəʊmˈpəʊz/ with less rhotic influence in some dialects; final vowel quality is a long /əʊ/ or /oʊ/. Australian tends to /kəmˈpəʊz/ with a clear /əʊ/ and strong final /z/, similar to UK but with broader vowels and less rhoticity. The key differences lie in vowel length and rhoticity; Americans typically keep a fully voiced final consonant and a stronger /ə/ in the first syllable, while UK/AU may have a closer /ə/ or /ɒ/ quality depending on region.
The difficulty centers on two factors: the unstressed first syllable /kə/ can be reduced too much, muddying the syllable boundary, and the long diphthong in /oʊ/ followed by a voicлад /z/ can be mispronounced as /s/ or /ʒ/. Additionally, non-native speakers may misplace the primary stress, saying /ˈkɒmpəʊz/ or /ˈkəmpəʊz/. Correcting involves practicing the syllable break, ensuring the second syllable carries the emphasis, producing a clean /oʊ/ vowel, and maintaining voiced /z/ at the end.
A unique aspect is the contrast between the unaccented first syllable and the accented second syllable, which changes the rhythm distinctly from similar words like ‘composed’ (past tense with /d/ ending). Also, be mindful of linking in fast speech: “compose a piece” can sound like /kəmˈpoʊzə piːs/ with a subtle syllable junction. Focus on keeping /poʊ/ clearly stressed and not merging the /z/ with a following vowel in rapid speech.
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US: /kəˈmoʊz/ (rhotic, full vowel in first syllable, final /z/ voiced); UK: /kəˈpəʊz/ or /kəʊmˈpəʊz/ with more centralized vowels and less rhoticity, sometimes a longer /ə/ in first syllable; AU: /kəmˈpəʊz/, similar to UK but with broader Australian vowel quality and less pronounced rhoticity. Pay attention to /oʊ/ vs /əʊ/; US uses /oʊ/, UK/AU often use /əʊ/ or /oʊ/ depending on speaker. Ensure /z/ voice remains audible; avoid devoicing in final cluster. For all, final consonant should be crisp but not exaggerated; maintain a relaxed jaw and lips, with the tongue gently arched toward the soft palate for /z/. IPA references: US /kəmˈpoʊz/, UK /kəˈpəʊz/ or /kəʊmˈpəʊz/, AU /kəmˈpəʊz/.
Compose comes from Middle English composen, from Anglo-French composer, from Latin componere ‘to put together, arrange’ (com- ‘together’ +ponere ‘to put, place’). The sense of assembling elements in order to form a whole emerged in Old French and Latin, with early English usage around the 14th century in the meaning of to arrange or set in order. In music, “to compose” acquired the sense of creating a musical work, reflecting the act of putting notes and rhythms together into a coherent piece. The word broadened to mean to form or combine ideas in writing, art, or speech. Over time, it also carried the nuance of composing oneself, implying self-control and poise. The evolution traces a path from tangible arrangement to intangible organization of thought and emotion, preserving the core idea of deliberate structuring from its Latin roots to modern professional usage.
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Words that rhyme with "compose"
-ose sounds
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