3 syllables: cen, sor, ship. Stress on cen.
SEN-sur-ship
/ˈsɛnsɚˌʃɪp/
censorship is pronounced SEN-sur-ship (/ˈsɛnsɚˌʃɪp/). It has three syllables (cen-sor-ship), with the stress on "cen". Censorship is the practice or policy of suppressing or limiting access to information, ideas, or expression deemed objectionable by authorities or institutions. It involves delaying, editing, or banning content, often justified by moral, political, or security concerns. In discourse, censorship can shape public opinion by controlling what is heard, read, or viewed.
Censorship is the practice or policy of suppressing or limiting access to information, ideas, or expression deemed objectionable by authorities or institutions. It involves delaying, editing, or banning content, often justified by moral, political, or security concerns. In discourse, censorship can shape public opinion by controlling what is heard, read, or viewed.
- Common mistake: rushing the second syllable, blending /ˈsen/ with /ˌʃɜːr/ and producing a weak /ɜːr/ or turning it into /ə/; correction: hold the /ʃɜːr/ steady before moving to /ʃɪp/. - Common mistake: mispronouncing the final /ʃɪp/ as /ʃɪb/ or /sɪp/; correction: ensure the final voiceless bilabial stop /p/ is released after /ʃɪ/, not conflated with /s/. - Common mistake: failing to pronounce the middle /ʃ/ clearly due to a weak tongue position; correction: block with the tip lightly behind the upper teeth and push air through the central groove to produce a crisp /ʃ/.
"The government introduced censorship laws that restricted online discussions."
"Media outlets faced pressure to self-censor during the crisis."
"The film faced censorship for its provocative scenes and language."
Pronounced /ˈsenˌʃɜːrʃɪp/ in US, /ˈsenʃəˌʃɪp/ in UK, and /ˈsenʃəʃɪp/ in some AU varieties. Put primary stress on the first syllable: SEN- (tense vowel /e/), followed by a secondary stress on the third syllable in many non-rhotic accents. Ensure the /s/ sound is crisp, the /ʃ/ is a single-shape sh sound in the middle, and finish with /ɪp/ or /ɪp/ depending on the speaker. Visualize: sen-SHIP with a lighter second syllable.” ,
Common errors include blending the second and third syllables (censorship → cen-ship), or treating the middle /ʃ/ as /s/ or /tʃ/. Some speakers misplace stress, producing sen-:sorship. To correct: keep the sequence sen- (unstressed second syllable is weak but present) + SHER- or SHER- for the /ʃɜːr/ portion, then -ship. Practice with deliberate segmentation: /ˈsen/ + /ˌʃɜːr/ + /ʃɪp/. Clarify the rhoticity in US accents where /r/ is pronounced in the r-colored vowel cluster.” ,
In US English, /ˈsenˌʃɜrˌʃɪp/ tends to have a rhotic /r/ in the middle syllable, with a clearer /ɜr/ vowel. UK English often reduces the /r/ in non-rhotic accents, yielding /ˈsenˌʃəˌʃɪp/ or /ˈsenˌʃəʃɪp/, and a shorter middle vowel. Australian English is typically rhotic but with vowel quality closer to /ə/ or /ɜː/ for the middle vowel, yielding /ˈsenˌʃəɹˌʃɪp/ in IPA depending on speaker. Focus on maintaining the /ʃ/ cluster and the final /ɪp/.
Two main challenges: the three-syllable rhythm with a strong first syllable and a subsequent /ʃ/ cluster can trip the tongue, and the mid-central vowel in the second syllable varies across accents (/ˈsen/ vs /ˈsenˌ/). The sequence /ˈsen/ + /ˌʃɜːr/ can be tricky because the /ɜːr/ combines a vowel with rhotics. Additionally, the double occurrence of 'sh' sounds in /ʃɜr/ and /ʃɪp/ requires careful tongue positioning to avoid a simple /ʃ/ + /ɪp/ mispronunciation. Break it down, slow down, then blend.” ,
The word contains two /ʃ/ sounds in close proximity: /ˌʃɜr/ followed by /ʃɪp/. This creates a consonant cluster that can lead speakers to under-articulate one of the /ʃ/ sounds or blur the boundary between the syllables. Emphasize precise articulation of the mid /ʃ/ and the final /ʃɪp/ by maintaining a crisp alveolar ridge contact for /ʃ/ and ensuring the /ɪ/ is short and lax before the final /p/.
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- US: keep rhotics, /ɜr/; ensure /ˈsen/ has clear elevation of the vowel and strong onset to the /ʃ/ segment. IPA: /ˈsenˌʃɜrˌʃɪp/. - UK: non-rhotic or lightly rhotic; reduce the /r/; /ʃɜː/ may become /ʃə/; IPA: /ˈsenˌʃəˌʃɪp/. - AU: typically rhotic with closer to /ə/ in the middle; IPA: /ˈsenˌʃəɹˌʃɪp/; vowel quality ~ /ə/ or /ɜː/ depending on speaker. Focus on keeping the /ʃ/ sequences distinct and the final /ɪp/ crisp.
Censorship derives from the verb censor, from Latin censere meaning to judge or to assess. The root cens- is linked to the idea of estimating or assessing, as in census (survey) and censor. The term appeared in English in the 17th century, originally referring to a Roman magistrate’s office that recorded and published lists of citizens for taxation and moral evaluation. By the 18th and 19th centuries, censorship took on a broader meaning: the act of suppressing printed materials or broadcasts by authority. The concept expanded with the rise of state power and mass media, evolving to include self-censorship by individuals and corporations. In modern usage, censorship spans government policy, corporate moderation, and social platforms, often provoking debates about the balance between public harm and freedom of expression. The word’s modern sense crystallized in context of magazines, books, and later film, radio, and the internet, where content is routinely reviewed for permissible material. Its persistence reflects ongoing tensions between protecting societal values and preserving open discourse, with first known English usage recorded around the late 18th century as debates about press regulation intensified.
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