4 syllables: ca, ta, to, nic. Stress on to.
kat-uh-TAH-nik
/ˌkætəˈtɑnɪk/
catatonic is pronounced kat-uh-TAH-nik (/ˌkætəˈtɑnɪk/). It has four syllables (ca-ta-to-nic), with the stress on "to". Catatonic describes a state of immobility and unresponsiveness, often linked to certain mental or neurological conditions. It implies significant motor and/or cognitive dullness, sometimes alternating with agitation or rigidity. The term is used in clinical contexts as well as figuratively to describe extreme disengagement or stupefaction.
Catatonic describes a state of immobility and unresponsiveness, often linked to certain mental or neurological conditions. It implies significant motor and/or cognitive dullness, sometimes alternating with agitation or rigidity. The term is used in clinical contexts as well as figuratively to describe extreme disengagement or stupefaction.
- You may misplace the stress on the first or third syllable; ensure the primary stress is on the second syllable: ca-TAT-on-ic. - The middle vowels can merge into a schwa too quickly; hold the /æ/ in /ˈtæt/ clearly before the smoother /ə/ in the third syllable. - Final consonant cluster can be rushed; keep /nɪk/ light and quick, not a hard -nɪk with extra emphasis.
"The patient remained catatonic for hours, resisting even the simplest request."
"After the shock, she went into a catatonic stupor and did not respond to voices."
"The team described his behavior as catatonic, with limbs held stiffly and little expression."
Say /kəˈtæt.ə.nɪk/ (US) or /kəˈtæt.ə.nɪk/ (UK/AU), with primary stress on the second syllable ‘tæt.’ Start with a schwa in the first syllable, then the stressed “TAH” as in ‘cat,’ followed by a soft, quick ‘o’ and a final ‘nik.’ Tip: keep the final syllable light: -nik rather than -nix. Audio resources: you can compare pronunciations on Pronounce or Forvo for native-like sound.
Two frequent errors are misplacing stress and mispronouncing the middle vowel sequence. People often flatten the second syllable to a quick ‘tuh’ or mispronounce the ending as /-nɪks/. Correct approach: maintain /kəˈtæt.ə.nɪk/, with clear /tæt/ for the second syllable and a light /-nɪk/ at the end. Keep the vowel sounds consistent with typical American English: a short ‘a’ in ‘cat’ and a schwa in the first syllable before the stressed /tæt/.
Across US, UK, and AU, the primary stress remains on the second syllable /təˈtæt.ə.nɪk/. Differences lie in the vowels: US often uses a broader rhotic vowel in the first syllable and a more pronounced /ɪ/ in the final syllable; UK/AU tend to have non-rhotic tendencies in careful speech, with subtle reductions in the first syllable and crisper final consonants. Overall, the rhythm remains trochaic-unstressed-unstressed-stressed, but vowel quality and linking can vary with regional phonotactics.
The difficulty centers on the sequence of consonants around the stressed syllable and the final unstressed -on-ic cluster. The middle /t/ transition between /æ/ and /ə/ can feel tight, and the final /ɪk/ must be lighter than the middle vowel. Beginners often misplace the primary stress too early or soften the /t/ into a flap. Practicing the three-syllable chunk slowly, then speeding up while maintaining crisp /t/ and clear final /ɪk/ helps overcome these challenges.
Yes—note the 't' is not a dental or alveolar-tap in careful speech; it’s a clean alveolar stop /t/. The sequence ‘tā’ is stressed and followed by a subtle schwa, then another unstressed syllable leading to the final /nɪk/. In connected speech, you may encounter linking from the second to the third syllable, but keep the stress on /tæt/. This word rewards deliberate, segmented pronunciation before blending in fluent speech.
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- US: emphasize rhotics and a more open front vowel quality in the first syllable; keep final -ic light. - UK: use a clipped, non-rhotic pronunciation; maintain a crisp /t/ and a clean /ɪk/ ending; the first syllable might be slightly reduced. - AU: similar to UK in non-rhoticity, but with generally wider vowel space; aim for a balanced, even tempo across syllables. All variants use /kəˈtæt.ə.nɪk/. IPA references: US /ˌkeɪ tə ˈtæn ɪk/ would be incorrect; correct is /kəˈtæt.ə.nɪk/.
Catatonic comes from the French catatonique, derived from Greek katatonikos, from kata- ‘down, against’ and tonos ‘tone, tension,’ blended with the Greek -ikon suffix. The term originally emerged in 19th-century psychiatry to describe motor immobility seen in some psychiatric conditions. The idea of ‘catalepsy’ and ‘catatonia’ tied to muscle tone and posture influenced early clinical usage, with the term gradually expanding to describe a broader state of extreme immobility or stupor beyond strictly cataleptic phenomena. Its usage evolved from clinical jargon into general English to convey profound disengagement or paralysis of behavior, often in contexts of trauma, stress, or illness. Over time, its connotations have oscillated between precise medical meaning and more metaphorical, cultural uses in describing people, moods, or scenes in literature and media. First known uses appear in late 19th century medical writings, with widespread adoption in psychiatric literature by the early 20th century. Modern usage continues to bridge clinical description and everyday metaphor, though the medical sense remains most precise when referring to motor and behavioral symptoms associated with psychiatric disorders or neurologic conditions.
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Words that rhyme with "catatonic"
-nic sounds
-tic sounds
Practice with these rhyming pairs to improve your pronunciation consistency:
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