One syllable: casts.
kasts
/kæsts/
casts is pronounced kasts (/kæsts/). It has one syllable (casts), with the stress on "casts". Casts is the third-person singular or present-tense form of cast, meaning to throw or to shape by pouring into a mold. It can also refer to a group of actors in a production. The word often appears in contexts like film, theater, or medical casts. Pronounced with a short, single syllable vowel and a voiceless sibilant ending, its meaning shifts with context and spelling preserved.
Casts is the third-person singular or present-tense form of cast, meaning to throw or to shape by pouring into a mold. It can also refer to a group of actors in a production. The word often appears in contexts like film, theater, or medical casts. Pronounced with a short, single syllable vowel and a voiceless sibilant ending, its meaning shifts with context and spelling preserved.
- Confusing /æ/ and /ɑː/: US/AU typically use /æ/ as in cat for casts; UK often shows /ɑː/ in some dialects. Practice with minimal pairs: cast /kæst/ vs cast /kɑːst/ to feel mouth position; ensure the jaw isn’t sagging into a wider vowel in casual speech. - Overemphasizing the /t/ leading to an extra vowel: in rapid speech the /t/ can be lightly released or even unreleased before /s/. Practice a quick, light stop followed by /s/ to avoid a voiceless elongation. - Voicing the final /s/ into /z/: maintain voiceless /s/; keep the vocal cords relaxed but not vibrating. - Contextual blending: in phrases like 'the casts are', you may hear /kæstsɑr/ or /kɑːstsə/ in fast talk; work on linking and reducing to ensure clear final /s/.
"The director casts the lead role after auditions."
"The doctor says a broken arm must be kept in a cast for six weeks."
"Miners cast the mold for the new statue."
Pronounce as /kæsts/ in US and AU, with a short, lax a as in 'cat' and a voiceless /s/ ending. In many UK dialects you’ll hear /kɑːsts/ with a longer, backer a. The initial consonant cluster is /k/ + /æ/ or /ɑː/ depending on accent, followed by /sts/—the /t/ can be released lightly in fast speech. Try saying it in one beat: kest with a sibilant ending; emphasize the final /s/ to ensure it isn’t misheard as /z/.
Mistakes: 1) Substituting /kæst/ with a long vowel like /kæːsts/ in US; keep the short /æ/. 2) Voicing the final /s/ as /z/ in rapid speech; ensure voiceless slik /s/. 3) Adding a 't' release before the /s/: don’t overly enunciate the /t/; keep the /t/ light and connected to /s/. Corrections: rehearse minimal pairs /kæst/ vs /kɑːsts/ to hear the vibration and practice a crisp /t/ followed by /s/.
US/AU typically use /kæsts/ with a short /a/ and a clear final /s/. UK can be /kɑːsts/ with a broader, backer vowel; some speakers may reduce or blend the /t/ slightly before /s/ in rapid speech. Rhoticity is not a factor here, as /r/ is not present in the word, but vowel quality shifts depending on dialect. In connected speech, the /t/ may be flapped or elided in casual registers in some regions, yielding a smoother /kæsts/ or /kɑːs/ without a prominent /t/.IPA references: US /kæsts/, UK /kɑːsts/.
The challenge lies in the quick transition from a voiced/voiceless boundary: you start with a short lax /æ/ or /ɑː/ before the alveolar /t/ and the voiceless /s/. Keeping the /t/ release subtle and avoiding an extra vowel before /s/ helps prevent a misheard /z/ or an added syllable. Mastery requires precise timing of the t-completion and immediate /s/ voicelessness in all registers. Focus on a clean alveolar stop followed by a crisp /s/ with minimal vowel length.
There is no silent letter in casts; the word is monosyllabic with primary stress on the single syllable. The difficulty comes from the consonant cluster /t/ + /s/ at the end and ensuring the /t/ does not create an extra vowel or a voiced /z/. Keep the tongue blade near the alveolar ridge for /t/ and bring the blade slightly forward to release into /s/. The stress logic is straightforward: one syllable, stressed naturally in speech.
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- US: /kæsts/ with short /æ/. Emphasize rhoticity neutral to none. - UK: /kɑːsts/ with wider mouth opening and longer vowel; keep the /t/ crisp but not overly aspirated. - AU: tends toward /kæsts/ or /kɑːsts/ depending on region; vowel length similar to US or UK; maintain non-rhotic tendencies (though /r/ not present here). IPA cues: US /kæsts/, UK /kɑːsts/; keep the final /s/ voiceless and crisp. - Tips: practice the mouth posture: lip relaxed, jaw slightly dropped for /æ/; or a wider mouth for /ɑː/; tongue tip to alveolar ridge for /t/; alveolar /s/ with a narrow channel. - Practice with minimal pairs: /kæst/ vs /kæsts/ with /t/ release vs no release and note the distinction in rapid speech.
Casts originates from the verb cast, which comes from Old Norse kasta and Old English gecyssan meaning to throw or to pour. The noun sense of a group of actors arose in the 16th–17th centuries, drawing from the idea of “casting” materials into shapes or silhouettes, a metaphor later extended to selecting actors. The “cast” of a broken limb dates to late Middle English as well, from the notion of a plaster cast shaping the limb. The plural form casts follows standard English inflection for verbs used as nouns in third-person singular or present tense. The evolution reflects both literal throwing or forming actions and the figurative selection of people for roles, as well as medical immobilization contexts. First known uses appear in early modern English drama and medical texts, with stable spelling by the 18th century. Over time, casts also gained meanings in sculpture and metallurgy, where metal or plaster is poured into a mold, further grounding the term’s polysemy in manufacturing and performing arts. Modern usage keeps all senses, relying on context to disambiguate.
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💡 These words have similar meanings to "casts" and can often be used interchangeably.
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Words that rhyme with "casts"
-sks sounds
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