2 syllables: cap, tured. Stress on cap.
KAP-churd
/ˈkæptʃɚd/
captured is pronounced KAP-churd (/ˈkæptʃɚd/). It has two syllables (cap-tured), with the stress on "cap". Captured refers to having caught or taken possession of something or someone, typically by force or skill. It can describe a photograph, a moment seized, or a person apprehended by authorities. The term implies deliberate acquisition or retention and often carries a sense of being held or detained.
Captured refers to having caught or taken possession of something or someone, typically by force or skill. It can describe a photograph, a moment seized, or a person apprehended by authorities. The term implies deliberate acquisition or retention and often carries a sense of being held or detained.
"The wildlife photographer captured a rare moment of a fox mid-leap."
"The enemy army captured the fortified fortress after a fierce battle."
"She captured the audience with her compelling storytelling."
Pronounce as two syllables: CAP-tured. Primary stress on the first syllable. IPA US/UK align: /ˈkæp.tʃərd/ (US) or /ˈkæp.tʃəd/ (UK/ AU in some dialects). The middle is a /tʃ/ blend, like 'church', followed by a schwa or reduced /ər/ before the final /d/. In careful speech, you’ll hear /tʃərd/; in rapid speech, it can reduce to /tʃəd/ or even /tʃərd/ with a light /d/ release.
Two common errors: (1) Flattening the /æ/ to a more neutral schwa-like vowel, reducing the first syllable to /ə/; (2) Mispronouncing the /tʃ/ as separate /t/ + /ʃ/ or delaying the /d/ so the ending sounds like /ɪd/. Correction: keep /æ/ as a bright front vowel, ensure the /tʃ/ is a single affricate move without a full /t/ release, and finish with a clear yet light /d/ (or /d̥/ in some dialects).
In US English, the first syllable is stressed with /æ/ as in 'cat', and the ending often has a light rhotic schwa /ərd/ or /ərd/. UK English may have a slightly less rhotic ending, often /ˈkæp.tʃəd/ with a reduced second syllable as /əd/. Australian English commonly features a centralized or reduced vowel in the second syllable and a clear /d/ at the end, sometimes with a softer /ə/ in the second vowel. The main variation is the degree of rhoticity and vowel quality in the second syllable.
The challenge lies in the cluster /tʃ/ immediately followed by a vowel and a voiced /d/ in rapid speech. Achieving a clean affricate /tʃ/ without inserting a separate /t/ and ensuring the final /d/ doesn't vanish or become a weak /ɹ/ is tricky. Also, sustaining a crisp /æ/ in the first syllable while avoiding vowel reduction can be hard in connected speech, especially for non-native speakers.
Yes—the combination of /æ/ in the first syllable and the /tʃ/ onset of the second syllable creates a rapid transition from a front open vowel to a palatal affricate. This requires precise tongue elevation and timing to avoid an unintended /k/ or /t/ sound. The final /d/ should not be lost in fluent speech; it provides a crisp closure to the word. Practicing minimal pairs helps solidify this transition.
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US: stronger rhoticity in final syllable, clearer /ɚ/ or /ər/ depending on speaker; UK: less rhotic, second syllable often /ə/, flatter ending; AU: vowel merging can shift /æ/ slightly higher and /ə/ sounds may approach a schwa with less rhoticity. IPA references: /ˈkæp.tʃərd/ (US), /ˈkæp.tʃəd/ (UK/AU). Pay attention to the second syllable: less emphasis on r-colored vowels in UK/AU.
Captured comes from the verb capture, which traces to the Old French cacher 'to seize, catch, capture' (12th–13th centuries) itself from Latin capere 'to take, seize'. The path into English involved Old Northern French forms such as capter and later captour, with early senses tied to taking by force or skill. Through the centuries, captured expanded beyond physical seizure to include apprehension (as in capturing a thief) and figurative capture (capturing a moment or attention). In Middle English, forms like cabturen and capteren appear, reflecting Norman influence on law, warfare, and art. The noun capture, from Latin capĕre via Old French capter, solidified as the action or result of capturing. By the 16th–17th centuries, captured was commonly used as the past participle/adjective, describing items or persons that had been seized, arrested, or metaphorically seized (as in capturing a gaze or idea). The core semantic core centers on taking hold and retaining, with figurative extensions to photography and attention becoming especially prominent in modern usage. Today, captured is a versatile term in law, military history, photography, and everyday speech, retaining its root sense of seizure while enabling broad metaphorical application.
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Words that rhyme with "captured"
-ped sounds
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