2 syllables: broad, band. Stress on broad.
BRAWD-band
/ˈbɹɔˌdbænd/
broadband is pronounced BRAWD-band (/ˈbɹɔˌdbænd/). It has two syllables (broad-band), with the stress on "broad". Broadband refers to high-capacity internet service that transmits data over a wide frequency spectrum, enabling faster download and upload speeds compared to traditional dial-up. It typically delivers always-on connectivity via various methods (fiber, cable, DSL, or wireless) and supports multiple devices simultaneously. The term emphasizes bandwidth rather than a specific technology, and is commonly contrasted with narrowband connections.
Broadband refers to high-capacity internet service that transmits data over a wide frequency spectrum, enabling faster download and upload speeds compared to traditional dial-up. It typically delivers always-on connectivity via various methods (fiber, cable, DSL, or wireless) and supports multiple devices simultaneously. The term emphasizes bandwidth rather than a specific technology, and is commonly contrasted with narrowband connections.
- You may hyper-articulate the second syllable, turning broadband into a long two-syllable string; instead keep /ˈbrɔːd/ and /ˌbænd/ distinct but natural. - Dropping the /d/ at the end of the first syllable or gliding it into the /b/; practice with a deliberate pause between syllables so you hear the boundary. - Slurring /ɔː/ to an /ɑ/ or an /o/ in American casual speech; target the long, rounded /ɔː/ sound for /brɔːd/ and avoid laxing it.
"The new apartment has broadband access, so streaming in 4K won’t buffer."
"Schools are upgrading to broadband to support online learning and cloud apps."
"He compared broadband plans to find the best balance of speed and price."
Pronounce as two syllables with primary stress on the first: /ˈbrɔːdˌbænd/. Start with an open-mid back rounded vowel /ɔː/ like ‘awe’, then a voiced alveolar stop /d/, and finish with the /bænd/ cluster where /b/→/b/ and /æ/ as in ‘band’. Pay attention to the subtle linking between the two morphemes: the /d/ ends the first syllable smoothly into /b/. You’ll sound natural by ensuring the /æ/ in band is crisp and the /brɔːd/ portion isn’t shortened.
Two frequent errors: (1) Treating it as one poly-syllabic word with a weak first syllable, e.g., /brɔːdˈbænd/ instead of the correct /ˈbrɔːdˌbænd/. (2) Slurring the /d/ into the /b/ and blending the second syllable too quickly, which makes it sound like ‘broad-bend’. Correction: clearly release the /d/ before starting /bænd/, and keep the secondary stress on the second syllable light but distinct as /ˌbænd/.
In US/UK/AU, /ˈbrɔːdˌbænd/ shows consistent first-syllable stress and a long, rounded /ɔː/ vowel in the open syllable. US rhoticity is evident; postvocalic r is not present here, but the /ɔː/ quality can be tighter in US speakers. UK and AU often maintain the same phonemic structure but with subtly different vowel qualities: UK may have a marginally more open-mid /ɔː/ and AU tends toward a slightly more lax vowel and faster cadence in connected speech. Overall, stress pattern is similar across three varieties.
The challenge lies in the two-stress pattern and the transition between an elongated /ɔː/ in /brɔːd/ and the short /æ/ in /bænd/. The /d/ articulatory release right before the /b/ can cause a blunt stop if not timed well. Also, maintaining clear separation between the first and second syllable while keeping the fluidity of speech is tricky in fast talking. Practice with slow enunciation and then speed up while preserving the two distinct syllables and stress levels.
A distinctive feature is the forced pause-like boundary between the two morphemes, shaped by a secondary stress on the second syllable and a crisp /d/ release at the syllable boundary. You’ll hear a smooth but clear /ˈbrɔːd/ then a quick /ˌbænd/. The combination of a relatively long first syllable with a shorter second can feel counterintuitive, so focus on keeping the first vowel spacious while finishing the /d/ clearly.
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- US: rhotic-free? primarily follows /ˈbrɔːdˌbænd/. Focus on distinct first vowel and clear /d/ release. - UK: maintain the broad /ɔː/ vowel; keep non-rhoticity but the word itself does not involve /r/. Balance vowel length and the /d/ closure. - AU: tends toward a more centralized or slightly raised /ɔː/ depending on region; maintain two-syllable rhythm with a crisp /d/ release and pronounced /æ/ in band. IPA references: /ˈbrɔːdˌbænd/.
The term broadband arose in the mid-20th century within communications to denote transmission across a broad range of frequencies. It draws on the concept of ‘broad’ amplitude channels, contrasting with narrowband systems that carry limited frequencies. The exact coinage date is debated, but it entered technical and consumer language prominently by the 1990s as consumer internet usage expanded and providers marketed faster, always-on services. The word combines broad + band, where band refers to a range of frequencies or channels in a transmission medium. Early usage in engineering described multimode transmission in telephone and broadcasting networks; as data-intensive applications proliferated, ‘broadband’ became a generic descriptor for high-capacity, continuous connectivity, eventually attaching to consumer services such as cable, fiber, and DSL. First known printed uses appear in industry white papers and technical reports in the late 20th century, with rapid mainstream adoption as public awareness of faster internet grew.
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Words that rhyme with "broadband"
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