One syllable: breaths.
breths
/bɹɛθs/
breaths is pronounced breths (/bɹɛθs/). It has one syllable (breaths), with the stress on "breaths". Breaths refers to plural instances of the act of breathing in or out, or the breaths taken in respiration. It also appears in contexts like performing breaths in singing or wind instruments. The word highlights the quantity of inhalations or exhalations and can imply rhythm, duration, or cadence in a sequence of breaths.
Breaths refers to plural instances of the act of breathing in or out, or the breaths taken in respiration. It also appears in contexts like performing breaths in singing or wind instruments. The word highlights the quantity of inhalations or exhalations and can imply rhythm, duration, or cadence in a sequence of breaths.
"She took several calm breaths before stepping onto the stage."
"The singer paused, then released a few rapid breaths to catch her breath again."
"In yoga class, we synchronized our breaths with the slow movements."
Pronounce as /brɛθs/. Start with a clear 'br' consonant blend, then the short 'e' as in 'bet', followed by the voiceless theta /θ/ as in 'thin', and end with the /s/ sibilant. The stress is on the single syllable when used alone: BREATHS. In connected speech, you may hear a slight reduction in the vowel before the final /s/ depending on speed, but aim for a crisp /θs/ cluster. Audio reference: imagine saying 'breath' and add the final /s/.
Common errors include replacing /θ/ with /t/ or /f/, producing /brɛts/ or /brɛfs/. Some speakers merge the final /s/ with the preceding consonant, producing /brθs/ or a voiceless vowel. To correct: practice the /θ/ sound by placing the tongue gently between the teeth and blowing air; ensure a clear stop at /s/ without voicing. Keep the vowel short and lax: /ɛ/ as in 'bet'.
In US/UK/AU, the initial /br/ and the /θ/ are consistent, but rhotics influence surrounding vowels in connected speech. US speakers may have slightly stronger rhotics around neighboring vowels, affecting the preceding vowel quality in bilingual contexts, while UK and AU accents keep a crisper /θ/ with subtle vowel narrowing. Overall vowel height and length remain stable; focus on the unvoiced /θ/ and the voiceless /s/ ending. IPA remains /brɛθs/ in all three varieties for this word.
The difficulty comes from the voiceless dental fricative /θ/ followed by a cluster with /s/. Many learners struggle to place the tongue between the teeth without voicing, producing /f/ or /t/ instead. The tongue position must be precise: top teeth lightly contact the bottom of the tongue near the front, allowing air to escape to create /θ/. The /s/ at the end is also a solid, non-voiced sibilant; keep the tongue slightly forward and avoid weakening the /θ/ by inserting too much air.
In careful speech, keep the /ɛ/ short and crisp before /θ/. Avoid a lax or lengthened vowel which can blur the fricative. The key is a quick, clean transition from /r/ into /ɛ/ then quickly set up the /θ/ followed by /s/. In fast speech, the /ɛ/ may be slightly shorter, but do not reduce it to a schwa; maintain perceptible vowel identity to preserve the /θ/.
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Breath originates from Old English breth, related to the verb breathe (Old English brēotan). The word is tied to Germanic roots, with cognates across Germanic languages (Dutch adem, German Atem) reflecting the core meaning of air movement through the lungs. Historically, breath carried not only the physical act of respiration but also symbolic life force, breath becoming a metaphor for mood, breath-taking beauty, or a cadence in speech and singing. Early English usage appears in medieval texts describing the act of respiration or the pause between exhalations. Over time, the plural form breaths emerged to denote multiple instances of breathing, used in contexts ranging from physiological descriptions to rhythmic patterns in music and performance. In contemporary usage, breaths often carries connotations of tempo, breath control in performance, or the cadence of speech. The word has retained its core medical meaning while expanding into figurative uses in poetry and prose, and remains closely tied to related terms like breath, breathe, and breathing, each sharing a common semantic field around air movement and life force. First known use as a plural noun likely appears in Middle English texts, with scholarly concordances showing its evolving use in counting or describing sequences of respiration in both clinical and literary contexts.
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Words that rhyme with "breaths"
-ths sounds
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