2 syllables: block, ing. Stress on block.
BLAH-king
/ˈblɑkɪŋ/
blocking is pronounced BLAH-king (/ˈblɑkɪŋ/). It has two syllables (block-ing), with the stress on "block". Blocking refers to the act of obstructing or preventing a passage, action, or progression, often in a planned or strategic manner. In film and theater, it denotes the deliberate arrangement of actors' movements within a space. The term can also describe physical barriers or administrative impediments that halt progress or access.
Blocking refers to the act of obstructing or preventing a passage, action, or progression, often in a planned or strategic manner. In film and theater, it denotes the deliberate arrangement of actors' movements within a space. The term can also describe physical barriers or administrative impediments that halt progress or access.
- Commonly, learners insert an extra vowel between /k/ and /ɪŋ/, saying /ˈblɒ.kə.ŋ/ or /ˈblɒ.kɪ.n/. Keep the /ɪŋ/ tight and attach it directly to /k/; practice with minimal pairs like BLOCK-ing vs. BLOC-king. - Another frequent error is overemphasizing the /ɪ/ in the second syllable, making it /ˈblɒ.kɪŋ/ with a long vowel or a separate syllable; keep it short and unstressed. - Some learners struggle with the /ŋ/ reaching the velar nasal; ensure the tongue tip pulls back quickly from the alveolar ridge to the velum and avoid voicing until the nasal release. - Lastly, a few speakers insert a tensed vowel after /l/ or before /ɒ/ in rapid speech; keep a compact onset sequence: /bl/ followed by short /ɒ/ then /k/.
"The cast practiced blocking on the stage before open rehearsal."
"Security concerns blocked the entrance, forcing attendees to use an alternative route."
"Researchers identified the blocking of fermentation to control the yield."
Blocking is pronounced with two syllables: /ˈblɒk.ɪŋ/ in US/UK accented speech. The primary stress falls on the first syllable 'BLOCK' and the final -ing is unstressed. Start with a rounded open-back vowel /ɒ/ as in 'lot' (British) or /ɑ/ in some American dialects, then follow with /k/ + /ɪŋ/ (as in 'sing'). The mouth starts with a lowered jaw and a short, crisp /ɒ/ vowel, then closes quickly into /k/ before the nasal /ŋ/. For audio references, listen to productions or dictionaries that provide IPA.
Common errors include substituting /blɒkɪŋ/ with a prolonged /ɒː/ in American speech, or softening the /k/ into /t/ as in ‘blotking.’ Another frequent issue is running the /ŋ/ into the following nasal tone if speaking quickly, producing /ˈblɒkɪŋ/ with a reduced final consonant. Correct by maintaining a distinct /k/ before the /ŋ/. Practice the sequence /blɒk/ + /ɪŋ/ in minimal pairs and hold a crisp /k/ release before the velar nasal. Ensure the first syllable carries the primary stress and avoid vocalization into the second syllable.
In US and UK, /ˈblɒk.ɪŋ/ with rhotic differences in vowels may occur; US often merges /ɒ/ toward /ɑ/ but still retains /ɒ/ in many regions. UK speakers keep the /ɒ/ quality clearly. Australian English commonly uses /ˈblɔː.kɪŋ/ or /ˈblɒk.ɪŋ/ depending on speaker, with less rhotic influence and a slightly rounded vowel in some areas. The common element is the /bl/ onset, a stressed first syllable, then a short /ɪŋ/. Differences mainly involve quality of the /ɒ/ vowel and potential vowel length.
The difficulty lies in the quick transition from /bl/ to /ɒ/ (or /ɑ/ in some dialects), followed by a clean, abrupt /k/ release before the nasal /ŋ/. Many learners produce a softened /k/ or blend the /k/ into /g/ or /t/ in rushed speech. Additionally, keeping the final /ɪŋ/ unstressed and fast without adding a vowel is tricky. Focus on a crisp /k/ release and avoid an extra vowel between /k/ and /ɪŋ/. IPA cues help you preserve the intended stops and nasal flow.
A noteworthy nuance is the exact articulation between /k/ and /ɪŋ/: you want a sharp, finalized alveolar/velar stop then a clean nasal, without gliding into the following syllable. This can be especially challenging for learners who habitually voice the /ŋ/ with a vowel or insert a schwa before it. Emphasize the stop contact, then transition immediately to the velar nasal. In some dialects, speakers may shorten the vowel before /ŋ/, producing a tighter rhythm.”
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- US: Slight rhotic influence on /ɒ/ may shift toward /ɑː/ in words with stressed /ɒ/ vowels; maintain a bordered back vowel for accuracy. The /k/ release should be crisp; avoid a delayed or softened /k/. - UK: Maintain a clearer /ɒ/ as in 'lot' with strong /l/ onset and crisp /k/ release. The /ɪŋ/ ends with a velar nasal; ensure the tongue slightly lowers to allow nasal flow. - AU: Vowel quality can be centralized; practice the /ɒ/ area with a slightly more open jaw; keep /k/ release sharp and avoid vowel lengthening. Reference IPA: US /ˈblɒkɪŋ/, UK /ˈblɒkɪŋ/, AU /ˈblɒkɪŋ/; adjust for your local vowel.
Blocking derives from the verb block, which comes from Old English ब्लोकken (blockian) via Proto-Germanic blekkôną, with related forms in Dutch blokkeren and German blockieren. The noun block (Old English blocku) originally meant a thick piece of matter or wood, and by extension something that impeded progress. In the theater sense, blocking appeared in stage directions in Renaissance drama to describe a planned arrangement of actors and movements; the term was formalized in the 17th–19th centuries as stagecraft terminology. In modern usage, blocking also covers computer science and sports contexts, where a ‘block’ denotes a deliberate obstacle or organizational maneuver. The sense of “to block” as obstructing a path developed earliest in the physical sense—placing a block to hinder passage—and later extended metaphorically to administrative or procedural hindrance. The word has absorbed related senses, including blocked shot in sports and blocked routes in logistics, reflecting its core meaning of preventing access or progression.
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💡 These words have similar meanings to "blocking" and can often be used interchangeably.
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Words that rhyme with "blocking"
-ing sounds
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