3 syllables: a, mor, phous. Stress on mor.
uh-MAWR-fuhs
/əˈmɔɹfəs/
amorphous is pronounced uh-MAWR-fuhs (/əˈmɔɹfəs/). It has three syllables (a-mor-phous), with the stress on "mor". Amorphous describes something lacking a definite shape or form; it is shapeless, formless, and not clearly defined. In science and everyday usage, it often refers to materials or concepts without a fixed boundary, emphasizing a nebulous, flexible structure rather than a rigid, organized one. The term can also convey vagueness or an ill-defined nature in discussions or theories.
Amorphous describes something lacking a definite shape or form; it is shapeless, formless, and not clearly defined. In science and everyday usage, it often refers to materials or concepts without a fixed boundary, emphasizing a nebulous, flexible structure rather than a rigid, organized one. The term can also convey vagueness or an ill-defined nature in discussions or theories.
"The gel took on an amorphous, blob-like appearance as it warmed."
"Researchers categorized the material as amorphous due to its irregular internal structure."
"Her argument was criticized for being amorphous and lacking clear conclusions."
You say a-MOR-huhs, with the primary stress on the second syllable: /ˌæmɔˈfɔːrəs/ in US/UK IPA. Start with a short /æ/ as in 'cat', then /m/, then the stressed /ɔ/ in 'more' plus /r/, and finish with /əs/. Picture your mouth making a quick /ə/ before the final /s/; the r-colouring depends on accent, but in non-rhotic speakers the /r/ is less pronounced. You’ll hear the strongest emphasis on MOR in rhythm, so let the syllable carry the beat without rushing the 'ph' as /f/.
Two common errors: 1) Misplacing the stress, saying a-MOR-ous or a-mor-PHous. Correct: /ˌæmɔˈfɔːrəs/ with primary stress on the third syllable. 2) Slurring the /ɔː/ to a short /ɒ/ or mispronouncing the /f/ as /v/. Aim for a clear /ɔː/ as in 'more' and a crisp /f/ before the /ɔːr/ sequence. Practice saying the vowel as a sustained open-mid back vowel and keep the /r/ lightly pronounced in rhotic accents.
In US English, /ˌæmɔˈfɔːrəs/ with a clear /r/ after the /ɔː/ in rhotic speech; the second syllable carries primary stress. UK English tends to be non-rhotic, so the /r/ in /ˈfɔːrəs/ is weaker, and the vowel may be a slightly longer /ɔː/ with less rhotic colouring. Australian English is rhotic like US, but vowels can be broader; the /ɔː/ may be slightly more open, and the final /ə/ can be reduced to schwa. Overall, stress remains on the third syllable in most varieties; focus on the /ɔː/ and the following /r/ in rhotic accents.
The challenge lies in balancing the secondary syllable's vowel /ɔ/ with the following /r/ and final /əs/. Many learners over-aspirate the /ɔː/ or merge /r/ and /ə/ into a single sound, flattening the rhythm. The combination /fɔːr/ also invites vowel-consonant linking: don’t separate into an overt /f/ and a separate /ɔː/ too aggressively. Practice sustaining the stressed /ɔːr/ cluster and then a quick, light /əs/ ending.
What is the role of the 'ph' in amorphous, and should it be pronounced as /f/? In amorphous, the 'ph' digraph represents /f/, as in many English words of Greek origin (ph- → f-). So it is not /ph/ as in 'phone' but an /f/ sound that blends into the following /ɔː/; keep it light and quick, avoiding an aspirated or aspirated stop after the /f/.
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US: rhotic /r/ should be pronounced; keep /ɔː/ lengthened and lip-rounded slightly. UK: non-rhotic or weak /r/, so /ˌæmɔˈfɔːəs/ with less rhotic colouring; the /ɔː/ may be slightly tenser. AU: rhotic similar to US, but with slightly hotter vowel quality; /ɔː/ may be more central; keep a clear division between /f/ and /ɔː/. Reference IPA: US /ˌæməˈfɔːrəs/ UK /ˌæməˈfɔːrəs/ AU /ˌæməˈfɔːrəәs/.
Amorphous comes from the Greek a- (without) + morphē (form, shape) and the later Latinized suffix -ous, forming amorphous. The prefix a- signals negation, while morphē indicates shape or form, tracing into English via scientific and literary usage in the 19th century. The word was adopted to describe substances and concepts that genuinely lack a fixed structure, distinguishing from crystalline or defined forms. Early usage appeared in chemistry and material science to describe substances without crystalline lattices, and by extension in metaphorical uses to describe ideas or systems without a coherent shape. The term’s evolution reflects a growing emphasis on structural properties in science and a shift toward more abstract descriptions in philosophy and criticism. The earliest known attestations in English appear in scientific treatises and philosophical discussions where “amorphous” was used to contrast orderly, well-defined forms with irregular, non-crystalline states. Over time, it broadened to everyday language to characterize vague, formless phenomena, and continues to be common in discussions of materials science, biology (e.g., amorphous tissues), and social theory alike.
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Words that rhyme with "amorphous"
-ous sounds
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