2 syllables: al, ludes. Stress on ludes.
uh-LOODZ
/əˈludz/
alludes is pronounced uh-LOODZ (/əˈludz/). It has two syllables (al-ludes), with the stress on "ludes". Alludes is a verb meaning to reference indirectly or hint at something without stating it outright. It often implies suggesting or hinting at a subject rather than directly addressing it, commonly used in literary or formal analysis. The form alludes indicates third-person singular present, as in “the poem alludes to classical myths.”.
Alludes is a verb meaning to reference indirectly or hint at something without stating it outright. It often implies suggesting or hinting at a subject rather than directly addressing it, commonly used in literary or formal analysis. The form alludes indicates third-person singular present, as in “the poem alludes to classical myths.”
- You may default to a flat, single-syllable ‘alloods’ by compressing the second syllable; resist this by giving the /uː/ its own length and a crisp /dz/ release. - Another error is mispronouncing the final cluster as /dəs/ or /z/; ensure a voiced alveolar affricate /dz/ with the tongue contacting the alveolar ridge and a short burst of air. - Some speakers over-articulate the second syllable to produce /ˈæl.juːdɪz/; preserve the short /uː/ and avoid adding an extra vowel before the final /dz/. - Jaw tension can dull the /æ/ in the first syllable; relax jaw and keep forward space in the mouth for a bright /æ/ in /ˈæl/.
"The author alludes to Shakespeare’s plays without naming him explicitly."
"In her critique, she alludes to wider social issues rather than detailing them."
"The speech alludes to past treaties to support its argument."
Pronounce it as AL-LOODS, with primary stress on the first syllable. IPA US/UK: /ˈælˌuːdz/. The sequence /ˈæl/ is a short, bright vowel followed by a lighter /uː/ in the second syllable, then the voiced consonant cluster /dz/. Ensure the /l/ is light, and avoid adding an extra syllable between /ˈæl/ and /uːdz/. In careful speech, you may hear it as two syllables: /ˈælˌuːdz/; in rapid speech, it often sounds like /ˈæl.uːdz/ with a slight linking between /l/ and /uː/.
Common mistakes: misplacing stress (putting it on the second syllable), pronouncing as /ˈæl.əz/ or /ˈæl.ldus/ by adding an extra syllable or altering the final /dz/ to /s/. Correction: keep primary stress on the first syllable /ˈæl/, then sharply release the second syllable /uːdz/ with a clear /uː/ vowel and the final /dz/ voiced affricate. Avoid tensing the jaw too much on /uː/ and prevent a trailing off into an /ɪz/ or /əz/ ending.
US/UK/AU share the core /ˈælˌuːdz/ rhythm, but vowel quality differs: US often has a slightly tighter /ˌuː/ and crisper /d/; UK may have a more rounded /ɔː/ quality in some speakers, giving /ˈæl.juːdz/ with a clearer y-glide; Australian tends to have a more centralized /uː/ and lighter /d/ release. In all, the stress remains on the first syllable, but the diphthongal transition into /uː/ varies in length and height, affecting perceived rhoticity and vowel color.
Difficulties arise from the two-syllable structure with a stress shift and a voiced affricate ending /dz/. The /uː/ vowel in the second syllable must contrast with the stronger first syllable vowel /æ/, and the /l/ must be light but present, creating a subtle transition to the /uːdz/ sequence. Speakers often smear the /uː/ into a schwa or mispronounce the final cluster as /dz/ or /z/. Focusing on separating the two syllables and cleanly releasing /dz/ helps clarity.
Does the word 'alludes' ever sound like /ˈæl.judz/ or /ˈælj.udz/ in fast speech, and how do you prevent vowel merging? In fast speech, you may hear a quicker /lju/ sequence, potentially sounding like /ˈæl.luːdz/ or with a reduced second syllable. To prevent vowel merging, emphasize the boundary between /ˈæl/ and /uːdz/ by briefly elongating the first syllable and ensuring the /l/ is light but audible, then unleash the /uː/ and /dz/ distinctly.
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- US: rhotics are similar; focus on a crisp, tighter /uː/ and a definite /dz/; the /r/ is not present, but the vowel may be slightly more centralized. - UK: may have a slightly higher vowel height in /uː/ and more precise tongue tip contact for /d/; keep the second syllable short but clear. - AU: tends toward a broader, more open /æ/ and less vowel reduction; maintain a strong /æ/ in the first syllable and a well-formed /uː/ with a lighter final /dz/; ensure non-rhoticity does not affect the ending.
Alludes comes from the Latin alludere, from ad- 'to, toward' + ludere 'to play, mock' (implying to play toward or to strike at by hint). The form alludere entered Medieval Latin as alludere, with figurative senses of ‘play toward’ or ‘touch on’ abstractly. In English, alludes emerged in the 17th century as a literary verb meaning to refer indirectly or to hint. The sense broadened in scholarly prose and literary criticism, where authors often allude to classical works, biblical stories, or historical events without explicit quotations. Over time, the spelling stabilized to allude + s for third-person singular present. The root lud- lies behind many English words connected to play or mock, and in this context the figurative “play” is the act of referencing by implication rather than direct statement. First known use in printed English appears in critiques and essays of the early modern period, where scholars frequently relied on allusion as a rhetorical device. The term’s evolution tracks a broader shift in style from direct exposition to nuanced, allusive argument across literature and academic discourse, retaining its core sense of indirect reference.
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Words that rhyme with "alludes"
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